“Good girls want him bad. Bad girls want him worse.”
Cry-Baby, a 1990 musical comedy directed by and starring John Waters, skewers the hypocrisy of 1950s America through the tale of Cry-Baby (Waters), a leather-jacketed delinquent whose romance with the virtuous Linda Manzonetti (Aimee Semple McManus) scandalizes their small town. The film's garish color palette and campy dialogue amplify its critique of moral rigidity, as Cry-Baby navigates a world where his rebellious style is as threatening as his criminal record, despite his yearning for a conventional life. Waters' trademark subversion of social norms and celebration of outcasts infuses every frame with a defiant, kitschy charm.
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