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“Mommy knows best.”
Dolly (2026) is a harrowing portrait of captivity and psychological trauma, centered on young Macy's abduction by a grotesque abductor who aims to raise her as his own. Director Sarah Chen crafts a claustrophobic, unsettling atmosphere through meticulously staged close quarters and a relentless, unsettling score. The film's core is Macy's struggle to maintain her humanity under extreme duress, rendered with raw, unflinching intensity. Chen's lens captures the dichotomy of innocence and horror, making Dolly a relentless, unsettling critique of the boundaries between caregiver and predator.
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