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A continuous video without beginning or end transforms the digital timestamp from a functional marker into the film's central subject. Detached from its informational role, the timestamp becomes a foreign body, a fragment of visual residue that eclipses the image it once accompanied. Magnified and isolated, each two-second segment unfolds as a pulsating form, vibrating with an autonomous rhythm that escapes the linear time it is meant to represent, inviting a new perception of the relationship between image, duration, and digital mediation.