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During a visit to a contemporary art festival, three 16 mm film projectors displaying separate portraits become the backdrop for an unexpected subject. Filmed obliquely with a mobile phone, the illuminated panes protecting each projector reveal faint fingerprints, grease marks, and dust suspended in the beam of light. These luminous squares, each subtly different, shift attention away from the projected films and the exhibition itself, turning overlooked traces into the film's true protagonists.