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“No hope. No mercy. No turning back.”
Killing Faith (2025) unfurls as a claustrophobic odyssey through the unforgiving American West in the summer of 1859. A widowed physician, grappling with his own losses, reluctantly escorts a recently freed slave and her enigmatic Caucasian daughter, who is believed to be either possessed or simply afflicted with an inexplicable condition causing the death of all she touches. As they traverse a landscape teeming with danger and moral ambiguity, the film probes the boundaries of faith and reason, life and death, in a narrative that is as chilling as it is relentless.
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