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“No Law. No Rules. No Order.”
Michael Mann’s Miami Vice (2006) transposes the neon-lit grit of 1980s Miami to a slick, contemporary sheen, as detectives Sonny Crockett and Ricardo Tubbs navigate a drug-riddled underworld. Crockett’s unorthodox methods lead him into a dangerous affair with the Chinese-Cuban wife of a powerful trafficker, while Tubbs grapples with violence that threatens those close to him. The film blends searing heat with cool detachment, capturing the allure and peril of a city where legality is a fluid concept.
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