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“For a family, space is not a distance.”
Mira (2022) unfolds in a near-future Vladivostok, where 15-year-old Lera Arabova grapples with the distant presence of her father, an astronaut at the orbiting station Mira, whose only contact is via phone. When a meteor shower devastates the city, Lera finds herself the unlikely savior, with her father’s guidance transmitted through satellite systems, steering her towards a precarious path of survival and rescue. The film zeroes in on the strained bond between parent and child, framed by the looming specter of cosmic disconnection.
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