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“The students are bad, the teachers are worse.”
No manches, Frida (2016) pivots around Zequi, a recently paroled bank robber, who seeks to unearth a fortune buried by his former partner. His scheme is dashed when he discovers a high school gymnasium has been constructed over the treasure’s location. The film navigates the absurdity of Zequi’s predicament with a deadpan humor, blending satire with social critique to expose the ironies of class and corruption in modern Mexico.
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