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In Palm Trees in the Snow (2015), director Carla Simón's camera glides through the stark contrast of Spain's snowy Huesca and the lush tropical landscapes of Equatorial Guinea, tracing the footsteps of Clarence, a young woman seeking the remnants of her father's and uncle's youth on the island of Fernando Poo. The film's quiet, contemplative gaze captures the generational divide and the enduring pull of familial roots, rendered with a tender, understated clarity that lingers long after the credits roll.
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