“An unromantic comedy.”
Splitsville (2025) charts the unraveling of a marriage through the lens of a bewildered and blundering protagonist. When Carey’s wife Ashley initiates divorce proceedings, he seeks solace from his friends Julie and Paul, who reveal a radically unconventional relationship dynamic. Their open marriage, a secret to Carey, shatters when he unwittingly breaches its unspoken rules, setting off a cascade of personal and ethical crises that test the very fabric of trust and commitment. Director Mike Moh’s sharp, observant camera captures the chaos and discomfort with a wry, unflinching eye, transforming a personal drama into a broader critique of contemporary relationship norms.
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