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“A little sun can bring out your dark side.”
Harmony Korine’s “Spring Breakers” unfurls as a neon-soaked odyssey through the anarchic underbelly of Florida’s spring break bacchanalia. Four college girls, propelled by a desperate need for indulgence, rob a restaurant to finance their hedonistic escapade. There, they encounter the enigmatic and charismatic Daryl, a criminal with ambitions that transcend the fleeting pleasures of the beach. Korine’s film is a blistering critique of youth culture’s commodified excess, rendered with a visual palette that blurs the lines between dream and delusion.
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