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“The end is built into the beginning.”
Charlie Kaufman's cerebral drama "Synecdoche, New York" unfurls the existential torment of Caden Cotard, a theater director whose mounting anxieties find expression in an ambitious, if quixotic, theatrical project. As he constructs a gargantuan replica of New York within a warehouse, Cotard's personal and professional lives crumble, mirroring the grandiose pretensions and hollow realities of artistic ambition. Through this labyrinthine mise-en-abyme, the film meditates on the futility of control and the elusive nature of truth.
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