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“It's no laughing matter.”
Martin Scorsese's "The King of Comedy" charts Rupert Pupkin's relentless pursuit of stardom, as he harasses his television idol, a reclusive late-night host. Pupkin's obsession blurs the lines between comedy and chaos, encapsulating a bleak portrait of fame's allure and the price of celebrity's indifference. Scorsese's satire skewers the superficiality of entertainment culture, where fame is a commodity and personal boundaries are mere suggestions.
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