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Paul Thomas Anderson’s “The Master” unfurls a caustic portrait of post-war America through the tumultuous relationship between Freddie Quell, a shell-shocked naval veteran adrift in a sea of alcohol and disillusionment, and Lancaster Dodd, a hypnotic figurehead of a burgeoning cult. As Freddie drifts into Dodd’s orbit, the film charts the volatile dance of control and compulsion, manipulation and dependency, painting a scathing critique of charismatic leadership and the desperate search for meaning in a fractured society.
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