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"The scream of the screen". One reviewer likened her to a "sort of Charlie Chaplin, Douglas Fairbanks, Sr., and Max Linder." All this was compressed into "one more or less diminutive package of femininity". Sometimes called "the girl Charlie Chaplin", she worked for Mack Sennett and later L-KO Kompany. Her early comedies were often produced by Universal Pictures.
The roles that explain the career.
15 credits across 2 departments.
| Year | Title | Role | Type |
|---|---|---|---|
| 1925 | Under a Spell | Film | |
| 1924 | One Wet Night | Nervy Ned's Wife | Film |
| 1923 | The Sheik of Hollywood | Film | |
| 1916 | Pirates of the Air | The Head Waitress | Film |
| 1915 | Silk Hose and High Pressure | Alice | Film |
| 1915 | Mabel and Fatty’s Married Life | Woman (uncredited) (unconfirmed) | Film |
| 1914 | Caught in a Cabaret | Party Guest (uncredited) | Film |
| 1914 | Mabel's Married Life | Neighbor (uncredited) | Film |
| 1914 | Caught in the Rain | Hotel Guest (uncredited) | Film |
| 1914 | Laughing Gas | Dentist's wife | Film |
| 1914 | Mabel's Busy Day | Spectator (uncredited) | Film |
| 1914 | Tillie's Punctured Romance | Back Room Diner / Party Guest (uncredited) | Film |
| 1914 | The Knockout | Spectator / Party Guest (uncredited) | Film |
| 1914 | The Great Toe Mystery | The Wife (uncredited) | Film |
| 1914 | Shot in the Excitement | The Daughter | Film |
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