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Carole Lombard (born Jane Alice Peters, October 6, 1908 – January 16, 1942) was an American film actress. She was particularly noted for her energetic, often off-beat roles in the screwball comedies of the 1930s. She was the highest-paid star in Hollywood in the late 1930s. She was the third wife of actor Clark Gable.
Lombard was born into a wealthy family in Fort Wayne, Indiana, but was raised in Los Angeles by her single mother. At 12, she was recruited by the film director Allan Dwan and made her screen debut in A Perfect Crime (1921). Eager to become an actress, she signed a contract with the Fox Film Corporation at age 16, but mainly played bit parts. She was dropped by Fox after a car accident left a scar on her face. Lombard appeared in 15 short comedies for Mack Sennett between 1927 and 1929, and then began appearing in feature films such as High Voltage and The Racketeer. After a successful appearance in The Arizona Kid (1930), she was signed to a contract with Paramount Pictures.
The roles that explain the career.
51 credits across 2 departments.
| Year | Title | Role | Type |
|---|---|---|---|
| 1989 | Two Tragic Blondes - Marilyn Monroe And Jean Harlow | Film | |
| 1961 | Hollywood: The Selznick Years | Self - Actress 'Nothing Sacred' (archive footage) (uncredited) | Film |
| 1957 | The Golden Age of Comedy | archive footage | Film |
| 1942 | To Be or Not to Be | Maria Tura | Film |
| 1941 | Mr. & Mrs. Smith | Ann | Film |
| 1940 | They Knew What They Wanted | Amy Peters | Film |
| 1940 | Vigil in the Night | Anne Lee | Film |
| 1939 | In Name Only | Julie Eden | Film |
| 1939 | Made for Each Other | Jane Mason | Film |
| 1938 | Fools for Scandal | Kay Winters | Film |
| 1937 | True Confession | Helen Bartlett | Film |
| 1937 | Nothing Sacred | Hazel Flagg | Film |
| 1937 | Swing High, Swing Low | Maggie King | Film |
| 1936 | My Man Godfrey | Irene Bullock | Film |
| 1936 | Love Before Breakfast | Kay Colby | Film |
| 1936 | The Princess Comes Across | Princess Olga / Wanda Nash | Film |
| 1935 | Hands Across the Table | Regi Allen | Film |
| 1934 | We're Not Dressing | Doris Worthington | Film |
| 1934 | Bolero | Helen Hathaway | Film |
| 1934 | Lady by Choice | Alabam Lee | Film |
| 1934 | Twentieth Century | Lily Garland, formerly Mildred Plotka | Film |
| 1934 | Now and Forever | Toni Day | Film |
| 1934 | The Gay Bride | Mary Magiz | Film |
| 1933 | Supernatural | Roma Courtney | Film |
| 1933 | Brief Moment | Abby Fane Deane | Film |
| 1933 | Hollywood on Parade No. A-12 | Self | Film |
| 1933 | The Eagle and the Hawk | The Beautiful Lady | Film |
| 1933 | From Hell to Heaven | Colly Tanner | Film |
| 1933 | White Woman | Judith Denning | Film |
| 1932 | Sinners in the Sun | Doris Blake | Film |
| 1932 | No Man of Her Own | Connie Randall | Film |
| 1932 | No More Orchids | Annie Holt | Film |
| 1932 | No One Man | Penelope 'Nep' Newbold | Film |
| 1932 | Virtue | Mae | Film |
| 1931 | It Pays to Advertise | Mary Grayson | Film |
| 1931 | Man of the World | Mary Kendall | Film |
| 1930 | Safety in Numbers | Pauline | Film |
| 1929 | The Racketeer | Rhoda Philbrooke | Film |
| 1929 | High Voltage | Billie ("Phyllis") | Film |
| 1929 | Matchmaking Mamma | Phyllis (as Carol Lombard) | Film |
| 1929 | Big News | Margaret Banks | Film |
| 1928 | The Best Man | Wedding Guest (uncredited) | Film |
| 1928 | The Campus Carmen | Carole | Film |
| 1928 | The Beach Club | Jump Rope Girl on Beach | Film |
| 1928 | The Campus Vamp | Carole (as Carol Lombard) | Film |
| 1928 | Run, Girl, Run | Norma Nurmi | Film |
| 1927 | My Best Girl | Flirty Blonde Salesgirl (uncredited) | Film |
| 1927 | The Fighting Eagle | (unconfirmed) | Film |
| 1925 | Pretty Ladies | Showgirl (uncredited) | Film |
| 1925 | Dick Turpin | Crowd Extra (uncredited) | Film |
| 1925 | The Plastic Age | Co-ed (uncredited) | Film |
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