Constance Campbell Bennett (October 22, 1904 – July 24, 1965) was an American actress. She was a major Hollywood star during the 1920s and 1930s and for a time during the early 1930s, she was the highest-paid actress in Hollywood. Bennett frequently played society women, focusing on melodramas in the early 1930s and then taking more comedic roles in the late 1930s and 1940s. She is best remembered for her leading roles in What Price Hollywood? (1932), Bed of Roses (1933), Topper (1937), Topper Takes a Trip (1938), and had a prominent supporting role in Greta Garbo's last film, Two-Faced Woman (1941).
She was the daughter of stage and silent film star Richard Bennett, and the older sister of actress Joan Bennett.
Description above from the Wikipedia article Constance Bennett, licensed under CC-BY-SA, full list of contributors on Wikipedia.
The roles that explain the career.
42 credits across 2 departments.
| Year | Title | Role | Type |
|---|---|---|---|
| 2017 | Becoming Cary Grant | Self (archive footage) | Film |
| 2008 | Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood | Valerie West (archive footage) | Film |
| 1983 | Hollywood Out-takes and Rare Footage | Self (archive footage) (uncredited) | Film |
| 1975 | Brother, Can You Spare a Dime? | Self (archive footage) | Film |
| 1966 | Madame X | Estelle Anderson | Film |
| 1954 | It Should Happen to You | Guest Panelist | Film |
| 1951 | As Young as You Feel | Lucille McKinley | Film |
| 1948 | Smart Woman | Paula Rogers | Film |
| 1947 | The Unsuspected | Jane Moynihan | Film |
| 1946 | Centennial Summer | Zenia Lascalles | Film |
| 1945 | Paris Underground | Kitty de Mornay | Film |
| 1945 | Paris Underground | Producer | Film |
| 1942 | Wild Bill Hickok Rides | Belle Andrews | Film |
| 1942 | Sin Town | Kye Allen | Film |
| 1941 | Two-Faced Woman | Griselda Vaughn | Film |
| 1939 | Tail Spin | Gerry Lester | Film |
| 1938 | Topper Takes a Trip | Marion Kerby | Film |
| 1938 | Service de Luxe | Helen Murphy | Film |
| 1938 | Merrily We Live | Jerry Kilbourne | Film |
| 1937 | Topper | Marion Kerby | Film |
| 1936 | Ladies in Love | Yoli Haydn | Film |
| 1935 | After Office Hours | Sharon Norwood | Film |
| 1935 | Starlit Days at the Lido | Self | Film |
| 1934 | Moulin Rouge | Helen Hall / Raquel | Film |
| 1934 | The Affairs of Cellini | Duchess of Florence | Film |
| 1934 | Outcast Lady | Iris | Film |
| 1933 | Hollywood on Parade No. A-12 | Self | Film |
| 1933 | Bed of Roses | Lorry Evans | Film |
| 1933 | Our Betters | Lady Pearl Grayston | Film |
| 1932 | Lady with a Past | Venice Muir | Film |
| 1932 | What Price Hollywood? | Mary Evans | Film |
| 1932 | Rockabye | Judy Carroll | Film |
| 1932 | Two Against the World | Adele Hamilton | Film |
| 1931 | The Common Law | Valerie West | Film |
| 1931 | The Easiest Way | Laura Murdock | Film |
| 1931 | Bought! | Stephanie Dale | Film |
| 1931 | Born to Love | Doris Kendall | Film |
| 1930 | Three Faces East | Frances Hawtree / Z-1 | Film |
| 1930 | Sin Takes a Holiday | Sylvia Brenner Stanton | Film |
| 1930 | Son of the Gods | Allana Wagner | Film |
| 1925 | Sally, Irene and Mary | Sally Fitzgerald | Film |
| 1925 | The Goose Woman | Hazel Woods | Film |
This page is community-maintained. Know something we don't?
← All person · Wikidata Q265358