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Edgar Georg Ulmer (September 17, 1904 – September 30, 1972) was an Austrian-American film director. He is best remembered for the movies The Black Cat (1934) and Detour (1945). These stylish and eccentric works have achieved cult status, whereas Ulmer's other films remain relatively unknown.
The first feature he directed in North America, Damaged Lives (1933), was a low-budget exploitation film exposing the horrors of venereal disease. His next film, The Black Cat (1934), starring Béla Lugosi and Boris Karloff, was made for a major studio, Universal Pictures. Demonstrating the striking visual style that would be Ulmer's hallmark, the film was Universal's biggest hit of the season. Ulmer, however, had begun an affair with Shirley Beatrice Kassler, who had been married since 1933 to independent producer Max Alexander, nephew of Universal studio head Carl Laemmle. Kassler's divorce in 1936 and her marriage to Ulmer later the same year led to his being exiled from the major Hollywood studios. Ulmer was relegated to making B movies at Poverty Row production houses. His wife, now Shirley Ulmer, acted as script supervisor on nearly all of these films, and she wrote the screenplays for several. Their daughter, Arianne, appeared as an extra in several of his films.
44 credits across 3 departments.
| Year | Title | Role | Type |
|---|---|---|---|
| 1964 | The Cavern | Director | Film |
| 1964 | The Cavern | Producer | Film |
| 1961 | Journey Beneath the Desert | Director | Film |
| 1960 | The Amazing Transparent Man | Director | Film |
| 1960 | Beyond the Time Barrier | Director | Film |
| 1959 | The Naked Venus | Director | Film |
| 1959 | Hannibal | Director | Film |
| 1957 | Daughter of Dr. Jekyll | Director | Film |
| 1956 | The Perjured Farmer | Producer | Film |
| 1955 | Murder Is My Beat | Director | Film |
| 1955 | The Naked Dawn | Director | Film |
| 1952 | Babes in Bagdad | Director | Film |
| 1951 | The Man from Planet X | Director | Film |
| 1950 | So Young, So Bad | Director | Film |
| 1949 | The Pirates of Capri | Director | Film |
| 1948 | Ruthless | Director | Film |
| 1947 | Carnegie Hall | Director | Film |
| 1946 | Her Sister's Secret | Director | Film |
| 1946 | The Strange Woman | Director | Film |
| 1946 | The Strange Woman | Writer | Film |
| 1945 | Detour | Director | Film |
| 1945 | Strange Illusion | Director | Film |
| 1945 | Club Havana | Director | Film |
| 1944 | Bluebeard | Director | Film |
| 1944 | Minstrel Man | Director | Film |
| 1943 | Jive Junction | Director | Film |
| 1943 | Isle of Forgotten Sins | Director | Film |
| 1943 | Girls in Chains | Director | Film |
| 1943 | My Son, The Hero | Director | Film |
| 1943 | The Turbosupercharger - Master of the sky | Director | Film |
| 1943 | Hitler's Madman | Writer | Film |
| 1943 | My Son, The Hero | Writer | Film |
| 1942 | Tomorrow We Live | Director | Film |
| 1939 | Moon Over Harlem | Director | Film |
| 1939 | Moon Over Harlem | Producer | Film |
| 1937 | Green Fields | Director | Film |
| 1934 | The Black Cat | Director | Film |
| 1934 | Thunder Over Texas | Director | Film |
| 1934 | We Live Again | Writer | Film |
| 1933 | Damaged Lives | Director | Film |
| 1933 | Damaged Lives | Writer | Film |
| 1931 | Tabu: A Story of the South Seas | Production Manager | Film |
| 1930 | People on Sunday | Director | Film |
| 1930 | People on Sunday | Executive Producer | Film |
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