Françoise Rosay born Françoise Bandy de Nalèche, (19 April 1891 – 28 March 1974) was a French opera singer, diseuse, and actress who enjoyed a film career of over sixty years and who became a legendary figure in French cinema. She went on to appear in over 100 movies in her career.
Rosay was born Françoise Bandy de Nalèche in Paris, the illegitimate daughter of Marie-Thérèse Chauvin, an actress known as Sylviac. She originally planned to become an opera singer, and in 1917, won a prize at the Paris Conservatoire and made her debut at the Palais Garnier in the title role of Salammbô by Ernest Reyer. She also sang in Castor et Pollux by Rameau and Thaïs by Massenet.
Her first recorded film was Falstaff in 1911, and she began to work in Hollywood from 1929 onwards. In 1917, she married the director Jacques Feyder, with whom she remained until his death in 1948, having three sons. She appeared in several films under her husband's direction, including Le Grand Jeu (1933), Pension Mimosas (1934), La Kermesse héroïque (Carnival in Flanders) (1935) and Les Gens du voyage (1937). Rosay spent the duration of World War II in England and Switzerland, where she taught acting classes at the Conservatoire de Genève. She still appeared in films during this time, notably the British Halfway House (1944) as the refugee French wife of a British sea captain.
The roles that explain the career.
41 credits across 2 departments.
| Year | Title | Role | Type |
|---|---|---|---|
| 1973 | The Pedestrian | Frau Dechamps | Film |
| 1968 | Don't Take God's Children for Wild Geese | Léontine Palpicart aka 'La Gâteuse' | Film |
| 1967 | The 25th Hour | Mme Nagy (uncredited) | Film |
| 1965 | Cloportes | Gertrude, supplies specialist in the mafia | Film |
| 1964 | Full Hearts and Empty Pockets | Borgia | Film |
| 1961 | The Counterfeiters of Paris | Madame Pauline | Film |
| 1960 | The Full Treatment | Madame Prade | Film |
| 1959 | The Sound and the Fury | Caroline Compson | Film |
| 1959 | Riff Raff Girls | Berthe | Film |
| 1958 | Me and the Colonel | Madame Bouffier | Film |
| 1958 | The Gambler | Aunt Antonia | Film |
| 1957 | Interlude | Comtesse Reinhart | Film |
| 1957 | The Seventh Sin | Mother Superior | Film |
| 1955 | That Lady | Bernardine | Film |
| 1954 | Queen Margot | Catherine de Médicis / Catharine of Medici | Film |
| 1952 | Smuggler's Ball | Gabrielle Demeuse | Film |
| 1952 | He Who Is Without Sin... | La contessa Lamieri | Film |
| 1951 | The Red Inn | Marie Martin | Film |
| 1951 | The 13th Letter | Mrs. Gauthier | Film |
| 1951 | Nobody's Children | La contessa Canali | Film |
| 1950 | September Affair | Maria Salvatini | Film |
| 1950 | The Naked Heart | Laura Chapdelaine | Film |
| 1948 | Saraband for Dead Lovers | The Electress Sophia | Film |
| 1948 | Quartet | Lea Makart (segment "The Alien Corn") | Film |
| 1946 | Back Streets of Paris | Mrs. Rose, hotel landlady | Film |
| 1945 | Johnny Frenchman | Lanec Florrie | Film |
| 1944 | The Halfway House | Alice Meadows | Film |
| 1938 | The Stream | Régina Berry | Film |
| 1937 | My Son the Minister | Sylvie - seine Mutter | Film |
| 1937 | Bizarre, Bizarre | Margaret Molyneux | Film |
| 1937 | Life Dances On | Marguerite Audié | Film |
| 1936 | Jenny | Jenny Gauthier | Film |
| 1935 | Whirlpool | Madame Gardane | Film |
| 1935 | Carnival in Flanders | Madame Burgomaster | Film |
| 1934 | The Great Game | Blanche | Film |
| 1933 | Abbot Constantine | La comtesse de Laverdens | Film |
| 1932 | He | Madame Husson | Film |
| 1928 | Two Timid Souls | The aunt | Film |
| 1926 | Gribiche | Edith Maranet | Film |
| 1925 | Faces of Children | Writer | Film |
| 1922 | Crainquebille | Shoe Store Customer | Film |
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