Hedy Lamarr (born Hedwig Eva Maria Kiesler; November 9, 1914 – January 19, 2000) was an Austrian-born actress and technology inventor. She was a film star during Hollywood's Golden Age.
After a brief early film career in Czechoslovakia, including the controversial Ecstasy (1933), she fled from her first husband, a wealthy Austrian ammunition manufacturer, and secretly moved to Paris. Traveling to London, she met Metro-Goldwyn-Mayer studio head Louis B. Mayer, who offered her a movie contract in Hollywood. She became a film star with her performance in Algiers (1938). Her MGM films include Lady of the Tropics (1939), Boom Town (1940), H.M. Pulham, Esq. (1941), and White Cargo (1942). Her greatest success was as Delilah in Cecil B. DeMille's Bible-inspired Samson and Delilah (1949). She also acted on television before the release of her final film, The Female Animal (1958). She was honored with a star on the Hollywood Walk of Fame in 1960.
At the beginning of World War II, she and avant-garde composer George Antheil developed a radio guidance system for Allied torpedoes that used spread spectrum and frequency hopping technology to defeat the threat of jamming by the Axis powers. This system later became the basis for what is now known as Bluetooth.
The roles that explain the career.
33 credits across 3 departments.
| Year | Title | Role | Type |
|---|---|---|---|
| 2006 | Hedy Lamarr: Secrets of a Hollywood Star | Film | |
| 2001 | Beyond Tara: The Extraordinary Life of Hattie McDaniel | Self (archive footage) | Film |
| 1995 | The Casting Couch | Film | |
| 1990 | Instant Karma | Movie Goddess (Archival) | Film |
| 1967 | Mondo Hollywood | Film | |
| 1957 | The Story of Mankind | Joan of Arc | Film |
| 1951 | My Favorite Spy | Lily Dalbray | Film |
| 1950 | A Lady Without Passport | Marianne Lorress | Film |
| 1950 | Copper Canyon | Lisa Roselle | Film |
| 1949 | Samson and Delilah | Delilah | Film |
| 1947 | Dishonored Lady | Madeleine Damien | Film |
| 1946 | The Strange Woman | Jenny Hager | Film |
| 1946 | The Strange Woman | Executive Producer | Film |
| 1945 | Her Highness and the Bellboy | Princess Veronica | Film |
| 1944 | The Heavenly Body | Vicky Whitley | Film |
| 1944 | Experiment Perilous | Allida Bederaux | Film |
| 1944 | The Conspirators | Irene Von Mohr | Film |
| 1943 | Show-Business at War | Self | Film |
| 1942 | Tortilla Flat | Dolores Ramirez | Film |
| 1942 | Crossroads | Lucienne Talbot | Film |
| 1942 | White Cargo | Tondelayo | Film |
| 1941 | Ziegfeld Girl | Sandra Kolter | Film |
| 1941 | H.M. Pulham, Esq. | Marvin Myles Ransome | Film |
| 1941 | Come Live with Me | Johnny Jones | Film |
| 1940 | I Take This Woman | Georgi Gragore | Film |
| 1940 | Comrade X | Golubka / Theodore Yahupitz / Lizvanetchka 'Lizzie' | Film |
| 1940 | Hollywood: Style Center of the World | Self | Film |
| 1940 | Boom Town | Karen Vanmeer | Film |
| 1939 | Lady of the Tropics | Manon deVargnes Carey, aka Kira Kim | Film |
| 1938 | Algiers | Gaby | Film |
| 1933 | Ecstasy | Eva Hermann | Film |
| 1931 | We Need No Money | Käthe Brandt | Film |
| 1930 | Money on the Street | Young Girl at Night Club Table | Film |
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