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Henry Brazeale Walthall (March 16, 1878 – June 17, 1936) was an American stage and film actor. He appeared as the Little Colonel in D. W. Griffith's The Birth of a Nation (1915). In New York in 1901, Walthall won a role in Under Southern Skies by Charlotte Blair Parker. He performed in the play for three years, in New York and on tour. With the company of Henry Miller he gained recognition on Broadway in plays including Pippa Passes, The Only Way and William Vaughn Moody's The Great Divide (1906–08). His fellow cast member James Kirkwood introduced Walthall to D. W. Griffith, and at the conclusion of that engagement, Walthall joined the Biograph Company.
His career in movies began in 1909 at Biograph Studios in New York with a leading role in the film A Convict's Sacrifice. This film also featured James Kirkwood, and was directed by D. W. Griffith, a director that played a huge part in Walthall's rise to stardom. As the industry grew in size and popularity, Griffith emerged as a director and Walthall found himself a mainstay of the Griffith company, frequently working alongside such Griffith regulars as Owen Moore, Kate Bruce, Lillian and Dorothy Gish, Mae Marsh, Bobby Harron and Jack and Mary Pickford. He followed Griffith's departure from New York's Biograph to California's Reliance-Majestic Studios in 1913. After a few months with Reliance, he joined Pathé for a short period.
The roles that explain the career.
76 credits across 2 departments.
| Year | Title | Role | Type |
|---|---|---|---|
| 2002 | London After Midnight | Sir James Hamlin (archive footage) | Film |
| 1936 | The Devil-Doll | Marcel | Film |
| 1936 | China Clipper | Dad Brunn | Film |
| 1936 | The Garden Murder Case | Dr. Garden | Film |
| 1936 | Hearts in Bondage | Capt. Buchanan | Film |
| 1935 | A Tale of Two Cities | Dr. Manette | Film |
| 1935 | Dante's Inferno | Pop McWade | Film |
| 1934 | Viva Villa! | Francisco Madero | Film |
| 1934 | Judge Priest | Reverend Ashby Brand | Film |
| 1934 | The Scarlet Letter | Roger Chillingworth | Film |
| 1934 | Men in White | enry B. Walthall | Film |
| 1934 | Dark Hazard | Schultz | Film |
| 1934 | The Murder in the Museum | Bernard Latham Wayne, alias Prof. Mysto | Film |
| 1934 | Beggars in Ermine | Marchant the Blind Man | Film |
| 1933 | The Sin of Nora Moran | Father Ryan | Film |
| 1933 | 42nd Street | Concerned Actor (uncredited) | Film |
| 1933 | Somewhere in Sonora | Bob Leadly | Film |
| 1933 | The Whispering Shadow | J. D. Bradley | Film |
| 1933 | Hold Your Man | Clergyman in Alternate Version (uncredited) | Film |
| 1933 | Headline Shooter | Judge Beacon (uncredited) | Film |
| 1932 | Chandu the Magician | Robert Regent | Film |
| 1932 | Central Park | Eby | Film |
| 1932 | Ride Him, Cowboy | John Gaunt | Film |
| 1932 | The Cabin in the Cotton | Eph Clinton | Film |
| 1932 | Klondike | Mark Armstrong | Film |
| 1932 | Hotel Continental | Winthrop | Film |
| 1932 | Police Court | Nathaniel "Nat" Barry | Film |
| 1932 | Strange Interlude | Professor Leeds | Film |
| 1932 | Me and My Gal | Sarge | Film |
| 1930 | Abraham Lincoln | Colonel Marshall | Film |
| 1929 | The Phantom in the House | Boyd Milburn | Film |
| 1929 | In Old California | Don Pedro De León | Film |
| 1929 | The Trespasser | Fuller | Film |
| 1929 | The Bridge of San Luis Rey | Father Juniper | Film |
| 1927 | London After Midnight | Sir James Hamlin | Film |
| 1927 | Wings | Mr. Armstrong | Film |
| 1927 | The Scarlet Letter | Roger Prynne aka Roger Chillingworth | Film |
| 1926 | The Road to Mandalay | Father James | Film |
| 1926 | The Barrier | Gale Gaylord | Film |
| 1925 | Kentucky Pride | Mr. Beaumont | Film |
| 1925 | The Golden Bed | Col. Peake | Film |
| 1925 | The Plastic Age | Henry Carver | Film |
| 1919 | The False Faces | Michael Lanyard | Film |
| 1916 | The Sting of Victory | David Whiting / Walker Whiting | Film |
| 1915 | The Raven | Edgar Allan Poe | Film |
| 1915 | The Birth of a Nation | Col. Ben Cameron | Film |
| 1914 | The Avenging Conscience | The Nephew | Film |
| 1914 | Home, Sweet Home | John Howard Payne | Film |
| 1914 | Judith of Bethulia | Holofernes | Film |
| 1914 | Strongheart | Soangataha / Strongheart | Film |
| 1913 | Death's Marathon | The Husband | Film |
| 1913 | The Battle at Elderbush Gulch | The Indian Chief's Son | Film |
| 1913 | The Switchtower | The Switchman | Film |
| 1912 | So Near, Yet So Far | In Club | Film |
| 1912 | The One She Loved | The Husband | Film |
| 1912 | Friends | Dandy Jack | Film |
| 1912 | The Burglar’s Dilemma | The Householder's Weakling Brother | Film |
| 1910 | The House with Closed Shutters | Charles Randolph - The Confederate Soldier | Film |
| 1910 | Gold Is Not All | Man at Party | Film |
| 1910 | The Gold Seekers | The Prospector | Film |
| 1910 | In the Border States | Confederate Corporal | Film |
| 1910 | Ramona | Alessandro | Film |
| 1910 | Thou Shalt Not | Film | |
| 1910 | A Child of the Ghetto | The Farmer | Film |
| 1910 | The Usurer | One of the Second Debtors | Film |
| 1910 | Wilful Peggy | The Lord | Film |
| 1910 | The Oath and the Man | Henri Prevost | Film |
| 1910 | Rose o' Salem Town | The Trapper | Film |
| 1909 | The Mended Lute | Indian | Film |
| 1909 | The Sealed Room | The Minstrel | Film |
| 1909 | A Corner in Wheat | Wheat King's Assistant | Film |
| 1909 | A Trap for Santa Claus | Arthur Rogers (uncredited) | Film |
| 1909 | The Little Darling | In Boarding House | Film |
| 1909 | They Would Elope | Film | |
| 1909 | 1776, or The Hessian Renegades | Film | |
| 1908 | Rescued from an Eagle's Nest | Woodsman | Film |
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