Hiroshi Teshigahara (January 28, 1927 – April 14, 2001) was an avant-garde Japanese filmmaker.
He was born in Tokyo, son of Sofu Teshigahara, founder and grand master of the Sogetsu School of ikebana. He graduated in 1950 from the Tokyo National University of Fine Arts and Music and began working in documentary film. He directed his first feature film, Pitfall (1962), in collaboration with author Kōbō Abe and musician Tōru Takemitsu. The film won the NHK New Director's award, and throughout the 1960s, he continued to collaborate on films with Abe and Takemitsu while simultaneously pursuing his interest in ikebana and sculpture on a professional level.
In 1965, the Teshigahara/Abe film Woman in the Dunes (1964) was nominated for an Academy Award and won the Special Jury Prize at the Cannes Film Festival. In 1972, he worked with Japanese researcher and translator John Nathan to make the movie Summer Soldiers, a film set during the Vietnam War about American deserters living on the fringe of Japanese society.
18 credits across 3 departments.
| Year | Title | Role | Type |
|---|---|---|---|
| 1992 | Basara: The Princess Goh | Director | Film |
| 1992 | Basara: The Princess Goh | Writer | Film |
| 1989 | Rikyu | Director | Film |
| 1989 | Rikyu | Writer | Film |
| 1984 | Antonio Gaudí | Director | Film |
| 1984 | Antonio Gaudí | Executive Producer | Film |
| 1970 | 240 Hours in One Day | Director | Film |
| 1968 | The Man Without a Map | Director | Film |
| 1966 | The Face of Another | Director | Film |
| 1964 | Ako | Director | Film |
| 1964 | Woman in the Dunes | Director | Film |
| 1964 | Ako | Writer | Film |
| 1962 | Pitfall | Director | Film |
| 1958 | Tokyo 1958 | Director | Film |
| 1958 | Tokyo 1958 | Producer | Film |
| 1957 | Ikebana | Director | Film |
| 1953 | Hokusai | Director | Film |
| 1953 | Hokusai | Associate Producer | Film |
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