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Irving Allen started his film career in 1929 as an editor. He turned to directing in the 1940s, and two shorts he directed, Forty Boys and a Song (1941) and Climbing the Matterhorn (1947), won Academy Awards. His feature film output, however, was not particularly successful, and in the 1950s he and producer Albert R. Broccoli formed Warwick Films in Great Britain to produce films there.
28 credits across 2 departments.
| Year | Title | Role | Type |
|---|---|---|---|
| 1970 | Cromwell | Producer | Film |
| 1970 | Eyewitness | Executive Producer | Film |
| 1969 | The Desperados | Producer | Film |
| 1968 | Hammerhead | Producer | Film |
| 1968 | The Wrecking Crew | Producer | Film |
| 1967 | The Ambushers | Producer | Film |
| 1966 | The Silencers | Producer | Film |
| 1966 | Murderers' Row | Producer | Film |
| 1965 | Genghis Khan | Producer | Film |
| 1964 | The Long Ships | Producer | Film |
| 1961 | The Hellions | Director | Film |
| 1960 | The Trials of Oscar Wilde | Executive Producer | Film |
| 1959 | Killers of Kilimanjaro | Producer | Film |
| 1959 | The Bandit Of Zhobe | Producer | Film |
| 1957 | Interpol | Producer | Film |
| 1957 | Fire Down Below | Producer | Film |
| 1957 | High Flight | Producer | Film |
| 1956 | Safari | Producer | Film |
| 1955 | A Prize of Gold | Executive Producer | Film |
| 1954 | The Black Knight | Producer | Film |
| 1953 | The Red Beret | Producer | Film |
| 1951 | Slaughter Trail | Director | Film |
| 1951 | New Mexico | Producer | Film |
| 1951 | Slaughter Trail | Producer | Film |
| 1949 | The Man on the Eiffel Tower | Producer | Film |
| 1948 | 16 Fathoms Deep | Director | Film |
| 1948 | 16 Fathoms Deep | Producer | Film |
| 1946 | Avalanche | Director | Film |
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