Joan de Beauvoir de Havilland (October 22, 1917 – December 15, 2013), known professionally as Joan Fontaine, was an English-American actress who is best known for her starring roles in Hollywood films during the "Golden Age". She was born in Tokyo, Japan, in what was known as the International Settlement. Her father was a British patent attorney with a lucrative practice in Japan, but due to Joan and older sister Olivia de Havilland's recurring ailments the family moved to California in the hopes of improving their health. Mrs. de Havilland and the two girls settled in Saratoga while their father went back to his practice in Japan. Joan's parents did not get along well and divorced soon afterward. Mrs. de Havilland had a desire to be an actress but her dreams were curtailed when she married, but now she hoped to pass on her dream to Olivia and Joan.
While Olivia pursued a stage career, Joan went back to Tokyo, where she attended the American School. In 1934 she came back to California, where her sister was already making a name for herself on the stage. Joan likewise joined a theater group in San Jose and then Los Angeles to try her luck there. After moving to L.A., Joan adopted the name of Joan Burfield because she didn't want to infringe upon Olivia, who was using the family surname. She tested at MGM and gained a small role in No More Ladies (1935), but she was scarcely noticed and Joan was idle for a year and a half. During this time she roomed with Olivia, who was having much more success in films.
In 1937, this time calling herself Joan Fontaine, she landed a better role as Trudy Olson in You Can't Beat Love (1937) and then an uncredited part in Quality Street (1937). Although the next two years saw her in better roles, she still yearned for something better. In 1940 she garnered her first Academy Award nomination for Rebecca (1940). Although she thought she should have won, (she lost out to Ginger Rogers in Kitty Foyle (1940)), she was now an established member of the Hollywood set. She would again be Oscar-nominated for her role as Lina McLaidlaw Aysgarth in Suspicion (1941), and this time she won.
The roles that explain the career.
54 credits across 1 departments.
| Year | Title | Role | Type |
|---|---|---|---|
| 2017 | Becoming Cary Grant | Self (archive footage) | Film |
| 2008 | The Making of 'Rebecca' | Self (archive footage) | Film |
| 2000 | Howard Hughes: His Women and His Movies | Self (archive footage) | Film |
| 1999 | Hitchcock, Selznick and the End of Hollywood | Self (archive footage) | Film |
| 1994 | Good King Wenceslas | Queen Ludmilla | Film |
| 1978 | The Users | Grace St. George | Film |
| 1966 | The Witches | Gwen Mayfield | Film |
| 1962 | Tender Is the Night | Baby Warren | Film |
| 1961 | Voyage to the Bottom of the Sea | Dr. Susan Hiller | Film |
| 1961 | Hollywood: The Selznick Years | Self (uncredited) | Film |
| 1958 | A Certain Smile | Françoise Ferrand | Film |
| 1957 | Island in the Sun | Mavis Norman | Film |
| 1957 | Until They Sail | Anne Leslie | Film |
| 1956 | Beyond a Reasonable Doubt | Susan Spencer | Film |
| 1956 | Serenade | Kendall Hale | Film |
| 1954 | Casanova's Big Night | Francesca Bruni | Film |
| 1953 | Flight to Tangier | Susan Lane | Film |
| 1953 | Decameron Nights | Fiametta / Bartolomea / Ginevra / Isabella | Film |
| 1953 | The Bigamist | Eve Graham | Film |
| 1952 | Ivanhoe | Rowena | Film |
| 1952 | Something to Live For | Jenny Carey | Film |
| 1951 | Othello | Page | Film |
| 1951 | Darling, How Could You! | Alice Grey | Film |
| 1950 | Born to Be Bad | Christabel | Film |
| 1950 | September Affair | Manina Stuart | Film |
| 1948 | You Gotta Stay Happy | Dee Dee Dillwood | Film |
| 1948 | The Emperor Waltz | Johanna Augusta Franziska | Film |
| 1948 | Kiss the Blood Off My Hands | Jane Wharton | Film |
| 1948 | Letter from an Unknown Woman | Lisa Berndle | Film |
| 1947 | Ivy | Ivy | Film |
| 1946 | From This Day Forward | Susan | Film |
| 1945 | The Affairs of Susan | Susan Darell | Film |
| 1944 | Frenchman's Creek | Dona St. Columb | Film |
| 1943 | Jane Eyre | Jane Eyre | Film |
| 1943 | The Constant Nymph | Tessa Sanger | Film |
| 1942 | This Above All | Prudence Cathaway | Film |
| 1941 | Suspicion | Lina McLaidlaw Aysgarth | Film |
| 1940 | Rebecca | Mrs. de Winter | Film |
| 1939 | The Women | Peggy Day | Film |
| 1939 | Joan Fontaine Wardrobe Tests | Self | Film |
| 1939 | Joan Fontaine, "Rebecca" Screen Test | Self | Film |
| 1939 | Gunga Din | Emmaline "Emmy" Stebbins | Film |
| 1939 | Man of Conquest | Eliza Allen | Film |
| 1938 | Maid's Night Out | Sheila Harrison | Film |
| 1938 | Sky Giant | Meg Lawrence | Film |
| 1938 | The Duke of West Point | Ann Porter | Film |
| 1938 | Blond Cheat | Julie Evans | Film |
| 1937 | A Damsel in Distress | Alyce Marshmorton | Film |
| 1937 | Quality Street | Charlotte Parratt | Film |
| 1937 | The Man Who Found Himself | Doris King | Film |
| 1937 | Music for Madame | Jean Clemens | Film |
| 1937 | You Can't Beat Love | Trudy Olson | Film |
| 1936 | A Million to One | Joan Stevens | Film |
| 1935 | No More Ladies | Caroline Rumsey | Film |
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