John Nicholas Cassavetes, an iconoclastic maverick and potential pillar of American cinema, rose to prominence as an actor in the 1950s and 1960s with roles in Edge of the City and The Dirty Dozen. Yet, it was his transition to directing in 1959 with Shadows that marked his true influence. Films like Faces, Husbands, and A Woman Under the Influence showcase his commitment to raw, character-driven narratives, often improvised and shot with a cinéma vérité style. Collaborating closely with a loyal ensemble, including wife Gena Rowlands, Cassavetes navigated the independent film world, challenging conventional Hollywood norms and leaving an enduring legacy.
The roles that explain the career.
57 credits across 4 departments.
| Year | Title | Role | Type |
|---|---|---|---|
| 2008 | Roman Polanski: Wanted and Desired | Guy Woodhouse (archive footage) | Film |
| 2000 | A Constant Forge | Self (archive footage) | Film |
| 1997 | She's So Lovely | Writer | Film |
| 1993 | Anything for John | Self (archive footage) | Film |
| 1986 | Big Trouble | Director | Film |
| 1984 | I'm Almost Not Crazy: John Cassavetes — The Man and His Work | Self | Film |
| 1984 | Love Streams | Robert Harmon | Film |
| 1984 | Love Streams | Director | Film |
| 1982 | Tempest | Phillip | Film |
| 1982 | Incubus | Dr. Sam Cordell | Film |
| 1981 | Whose Life Is It Anyway? | Dr. Michael Emerson | Film |
| 1980 | Gloria | Director | Film |
| 1980 | Gloria | Writer | Film |
| 1978 | Brass Target | Maj. Joe De Lucca | Film |
| 1978 | The Fury | Ben Childress | Film |
| 1977 | Opening Night | Maurice Aarons | Film |
| 1977 | Opening Night | Director | Film |
| 1977 | Opening Night | Writer | Film |
| 1976 | Mikey and Nicky | Nicky | Film |
| 1976 | Two-Minute Warning | Sgt. Chris Button | Film |
| 1976 | The Killing of a Chinese Bookie | Director | Film |
| 1976 | The Killing of a Chinese Bookie | Writer | Film |
| 1975 | Capone | Frankie Yale | Film |
| 1974 | A Woman Under the Influence | Director | Film |
| 1974 | A Woman Under the Influence | Writer | Film |
| 1973 | Nightside | Carmine Kelly | Film |
| 1971 | Minnie and Moskowitz | Jim | Film |
| 1971 | Minnie and Moskowitz | Director | Film |
| 1971 | Minnie and Moskowitz | Writer | Film |
| 1970 | Husbands | Gus Demetri | Film |
| 1970 | Husbands | Director | Film |
| 1970 | Husbands | Writer | Film |
| 1969 | If It's Tuesday, This Must Be Belgium | Steve | Film |
| 1969 | Machine Gun McCain | Hank McCain | Film |
| 1968 | Rosemary's Baby | Guy Woodhouse | Film |
| 1968 | Bandits in Rome | Mario Corda | Film |
| 1968 | Alexander The Great | Karonos | Film |
| 1968 | Faces | Director | Film |
| 1968 | Faces | Writer | Film |
| 1968 | Faces | Producer | Film |
| 1967 | The Dirty Dozen | Victor Franko | Film |
| 1967 | Devil's Angels | Cody | Film |
| 1964 | The Killers | Johnny North | Film |
| 1963 | A Child Is Waiting | Director | Film |
| 1961 | Too Late Blues | Director | Film |
| 1961 | Too Late Blues | Writer | Film |
| 1961 | Too Late Blues | Producer | Film |
| 1960 | Shadows | Pedestrian (uncredited) | Film |
| 1960 | Shadows | Director | Film |
| 1960 | Shadows | Writer | Film |
| 1959 | Johnny Staccato | Johnny Staccato | TV |
| 1958 | Saddle the Wind | Tony Sinclair | Film |
| 1957 | Affair in Havana | Nick Douglas | Film |
| 1957 | Edge of the City | Axel Nordmann | Film |
| 1956 | Crime in the Streets | Frankie Dane | Film |
| 1955 | The Night Holds Terror | Robert Batsford | Film |
| 1951 | Fourteen Hours | Reporter (uncredited) | Film |
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