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José Luis López Vázquez originally worked in theater as a costume designer, a scenic designer, and as an assistant director to Pío Ballesteros and Enrique Herreros. In 1946, he switched over to films, with a small role. Originally starring in comic roles, he made the move to drama films in the 1960s, demonstrating his profound aptitude for acting. During his life, he starred in more than 200 movies, filming several full-length films in a year. Although he usually appeared in Spanish films, he occasionally worked on international projects.
The roles that explain the career.
80 credits across 1 departments.
| Year | Title | Role | Type |
|---|---|---|---|
| 2007 | ¿Y tú quién eres? | Andrés | Film |
| 2004 | Moon of Avellaneda | Don Aquiles | Film |
| 2003 | Moscow Gold | Beltrán | Film |
| 2001 | Torrente 2: Mission in Marbella | Guijarro | Film |
| 1997 | Memorias del ángel caído | Antonio | Film |
| 1993 | Everyone Off to Jail | Padre Rebollo | Film |
| 1992 | The Fencing Master | Campillo | Film |
| 1992 | El juego de los mensajes invisibles | Matías | Film |
| 1989 | Esquilache | Antonio Campos | Film |
| 1988 | La gran comedia | Jose L. Lopez Vazquez | Film |
| 1988 | Little Spanish Soldier | Manuel Ocón | Film |
| 1987 | Mi general | General Torres | Film |
| 1987 | Moors and Christians | Jacinto López | Film |
| 1987 | The Hidden Truth | Gramophone Man | Film |
| 1987 | The Galoshes of Happiness | Schulrat | Film |
| 1986 | Hay que deshacer la casa | Pepe Luis | Film |
| 1986 | The Comic Order | General Fernando Ordóñez | Film |
| 1986 | Los presuntos | Camilo Blanco | Film |
| 1986 | Capullito de alhelí | Moisés | Film |
| 1985 | The Court of the Pharaoh | Comisario | Film |
| 1985 | El rollo de septiembre | Don Mamerto | Film |
| 1984 | My Friend the Vagabond | Nazario Valiente 'El Duque' | Film |
| 1984 | Playboy en paro | Don Ramiro | Film |
| 1983 | Un genio en apuros | Capitán | Film |
| 1983 | Juana la Loca… de vez en cuando | Rey Fernando II 'El Católico' | Film |
| 1983 | La avispita Ruinasa | Master | Film |
| 1983 | El fascista, doña Pura y el follón de la escultura | José Ribas | Film |
| 1982 | Death in the Vatican | Don Perrone | Film |
| 1982 | National III | Luis José | Film |
| 1982 | The Beehive | Leonardo Meléndez | Film |
| 1981 | Profesor eróticus | Sr. Smith | Film |
| 1981 | National Heritage | Luis José | Film |
| 1980 | The Truth on the Savolta Affair | Pajarito de Soto | Film |
| 1980 | Él y él | Ramón | Film |
| 1979 | La familia bien, gracias | Juan, el padrino | Film |
| 1979 | Tigers in Lipstick | Garage Owner | Film |
| 1978 | Little Lips | Publisher | Film |
| 1978 | The National Shotgun | Luis José | Film |
| 1978 | Playing Parents | Juan | Film |
| 1978 | Casa de citas | Luciano Guerrero | Film |
| 1977 | The Apolitical Man | Enrique Tolosa | Film |
| 1976 | Nosotros, los decentes | Roque | Film |
| 1976 | El señor está servido | Don Alberto Arregui | Film |
| 1975 | Blood Stains in a New Car | Ricardo Cariedo | Film |
| 1975 | Sleep, Sleep, My Love | Mario Martínez | Film |
| 1974 | Cousin Angelica | Luis | Film |
| 1973 | Las señoritas de mala compañía | Don Joaquín | Film |
| 1973 | Speak, Silent One | Rodrigo | Film |
| 1973 | La descarriada | Florencio | Film |
| 1973 | Lo verde empieza en los Pirineos | Serafín Requejo | Film |
| 1972 | My Dearest Senorita | Adela Castro Molina / Juan | Film |
| 1972 | One Billion for a Blonde | Terence | Film |
| 1972 | Travels with My Aunt | Dambreuse | Film |
| 1972 | El vikingo | Ramón | Film |
| 1972 | Venta por pisos | Lorenzo | Film |
| 1972 | ¡No firmes más letras, cielo! | Valentín Palomino | Film |
| 1972 | The Telephone Box | Phone Booth Man #1 | Film |
| 1971 | La decente | Roberto Clavijo | Film |
| 1971 | Spaniards in Paris | Fernando | Film |
| 1971 | Blanca por fuera y Rosa por dentro | Ramiro Peláez | Film |
| 1971 | The Fourth Victim | Inspector Dunphy | Film |
| 1971 | The Legend of Frenchie King | Barber | Film |
| 1971 | Si Fulano fuese Mengano | Evaristo Rebollo | Film |
| 1971 | Black Story | Pedro Ortuza / Peter P. Peter | Film |
| 1971 | A mí las mujeres ni fu ni fa | Nicolás Marlasca | Film |
| 1970 | The Garden of Delights | Antonio | Film |
| 1970 | El astronauta | Anselmo | Film |
| 1970 | The Other Residence | Vicente | Film |
| 1970 | Dele color al difunto | Pedro Pérez | Film |
| 1970 | Crimen imperfecto | Torcuato | Film |
| 1970 | Long Live the Bride and Groom | Leonardo Pozas | Film |
| 1970 | The Ancines Woods | Benito Freire | Film |
| 1970 | ¿Por qué pecamos a los 40? | Enrique | Film |
| 1969 | Pecados conyugales | Emilio | Film |
| 1969 | Furnished Studio 2.P. | Ramón Fontecha | Film |
| 1968 | Operation Mata Hari | Coronel Von Faber | Film |
| 1968 | El turismo es un gran invento | Basilio | Film |
| 1968 | ¡Cómo está el servicio! | Manolo Locumula Verruguillo, primo de Vicenta | Film |
| 1968 | Long Play | Arturo | Film |
| 1968 | ¡Cuidado con las señoras! | Doctor Enrique Varela | Film |
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