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Kay Francis (January 13, 1905 – August 26, 1968) was an American stage and film actress. After a brief period on Broadway in the late 1920s, she moved to film and achieved her greatest success between 1930 and 1936, when she was the number one female star at the Warner Brothers studio, and the highest paid American film actress. Some of her film related material and personal papers are available to scholars and researchers in the Wesleyan University Cinema Archives.
Description above from the Wikipedia article Kay Francis,licensed under CC-BY-SA, full list of contributors on Wikipedia.
The roles that explain the career.
59 credits across 2 departments.
| Year | Title | Role | Type |
|---|---|---|---|
| 2003 | Complicated Women | Self (archive footage) | Film |
| 1946 | Wife Wanted | Carole Raymond | Film |
| 1945 | Allotment Wives | Sheila Seymour | Film |
| 1945 | Divorce | Diane Carter | Film |
| 1945 | Allotment Wives | Producer | Film |
| 1945 | Divorce | Producer | Film |
| 1944 | Four Jills in a Jeep | Kay Francis | Film |
| 1943 | Show-Business at War | Self | Film |
| 1942 | Always in My Heart | Marjorie Scott | Film |
| 1941 | Charley's Aunt | Donna Lucia | Film |
| 1941 | Play Girl | Grace Herbert | Film |
| 1941 | The Feminine Touch | Nellie Woods | Film |
| 1941 | The Man Who Lost Himself | Adrienne Scott | Film |
| 1940 | When the Daltons Rode | Julie King | Film |
| 1940 | It's a Date | Georgia Drake | Film |
| 1940 | Little Men | Josephine "Jo" Bhaer | Film |
| 1939 | Women in the Wind | Janet Steele | Film |
| 1939 | King of the Underworld | Dr. Carole Nelson | Film |
| 1939 | In Name Only | Maida Walker | Film |
| 1938 | Comet Over Broadway | Eve Appleton | Film |
| 1938 | Secrets of an Actress | Fay Carter | Film |
| 1937 | Stolen Holiday | Nicole Picot | Film |
| 1937 | Another Dawn | Julia Ashton Wister | Film |
| 1937 | First Lady | Lucy Chase Wayne | Film |
| 1937 | Confession | Vera Kowalska | Film |
| 1936 | Give Me Your Heart | Belinda 'Linda' Warren, aka 'Bill' | Film |
| 1936 | Breakdowns of 1936 | Self | Film |
| 1935 | Stranded | Lynn Palmer | Film |
| 1935 | The Goose and the Gander | Georgiana Summers | Film |
| 1935 | Living on Velvet | Amy Prentiss | Film |
| 1934 | Mandalay | Tanya Borodoff aka Spot White / Marjorie Lang | Film |
| 1934 | Dr. Monica | Dr. Monica Braden | Film |
| 1934 | Wonder Bar | Liane Renaud | Film |
| 1934 | British Agent | Elena Moura | Film |
| 1933 | The Keyhole | Anne Vallee Brooks | Film |
| 1933 | The House on 56th Street | Peggy Martin Van Tyle / Peggy Stone | Film |
| 1933 | I Loved a Woman | Laura McDonald | Film |
| 1933 | Mary Stevens, M.D. | Mary Stevens | Film |
| 1932 | Man Wanted | Lois Ames | Film |
| 1932 | Strangers in Love | Diana Merrow | Film |
| 1932 | One Way Passage | Joan Ames | Film |
| 1932 | Jewel Robbery | Baroness Teri Hohenfels | Film |
| 1932 | Street of Women | Natalie 'Nat' Upton | Film |
| 1932 | Trouble in Paradise | Mariette | Film |
| 1932 | Cynara | Clemency Warlock | Film |
| 1931 | Girls About Town | Wanda Howard | Film |
| 1931 | Guilty Hands | Marjorie West | Film |
| 1931 | Scandal Sheet | Edith Flint | Film |
| 1931 | Transgression | Elsie Maury | Film |
| 1930 | A Notorious Affair | Countess Olga Balakireff | Film |
| 1930 | The Virtuous Sin | Marya Ivanova Sablin | Film |
| 1930 | Paramount on Parade | Carmen | Film |
| 1930 | Raffles | Gwen | Film |
| 1930 | Let's Go Native | Constance Cook | Film |
| 1930 | Street of Chance | Alma Marsden | Film |
| 1930 | Passion Flower | Dulce Morado | Film |
| 1929 | The Marriage Playground | Lady Wrench | Film |
| 1929 | The Cocoanuts | Penelope | Film |
| 1929 | Dangerous Curves | Zara Flynn | Film |
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