Kurt Gerron (born Kurt Gerson; 11 May 1897 – 30 October 1944) was a German Jewish actor and film director. He had a very successful career in cabaret and film before World War II, but was then forbidden to work and was sent to Theresienstadt Ghetto after the Nazis had occupied the Netherlands, where he and his family had fled to. In 1944 he was forced by the Nazis to make the propaganda film Theresienstadt: A Documentary Film from the Jewish Settlement Area, before he and his wife, Olga Gerson-Meyer, were sent to Auschwitz concentration camp and murdered. The film was completed not long before the end of the war, but was never shown to the public, and only fragments remain.
The roles that explain the career.
20 credits across 3 departments.
| Year | Title | Role | Type |
|---|---|---|---|
| 2003 | Prisoner of Paradise | Self (archival footage) | Film |
| 1940 | The Eternal Jew | (archive footage) | Film |
| 1935 | Bretter, die die Welt bedeuten | Director | Film |
| 1935 | The Mystery of the Moonlight Sonata | Director | Film |
| 1933 | Her Majesty Love | Hornberg | Film |
| 1932 | A Mad Idea | Director | Film |
| 1931 | We Need No Money | Bank President Binder | Film |
| 1931 | One Night at the Grand Hotel | Achaz | Film |
| 1931 | Bombs Over Monte Carlo | Spielbankdirektor | Film |
| 1930 | The Blue Angel | Kiepert | Film |
| 1930 | People on Sunday | Kurt | Film |
| 1930 | The Three from the Filling Station | Rechtsanwalt Kalmus | Film |
| 1930 | Dolly is making a career | Silbermann | Film |
| 1930 | Burglars | Polizeikommissar | Film |
| 1929 | The White Hell of Pitz Palu | guest at night club (Mann im Salon) | Film |
| 1929 | Diary of a Lost Girl | Dr. Vitalis | Film |
| 1928 | Accident | Film | |
| 1927 | Agitated Woman | Wladimir | Film |
| 1927 | The Transformation of Dr. Bessel | Georgakopoulos | Film |
| 1925 | Variety | Hafenarbeiter | Film |
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