Mai Elisabeth Zetterling ( May 24, 1925 – March 17, 1994) was a Swedish actress and film director.
She began directing in the early 1960s, starting with political documentaries and a short film called The War Game (1962), which was nominated for a BAFTA award, and won a Silver Lion at Venice. Her first feature film Älskande par (1964, "Loving Couples"), based on the novels of Agnes von Krusenstjerna, was banned at the Cannes Film Festival for its sexual explicitness and nudity. Kenneth Tynan of The Observer later called it "one of the most ambitious debuts since Citizen Kane." It was not the only film she made that would stir up controversy for its frank sexuality (early pioneer on voyeurism).
When critics reviewing her debut feature said that "Mai Zetterling directs like a man," she began to explore feminist themes more explicitly in her work. The Girls, which had an all-star Swedish cast including Bibi Andersson and Harriet Andersson, discussed women's liberation (or lack thereof) in a society controlled by men, as the protagonists compare their lives to characters in the play Lysistrata, and find that things have not progressed very much for women since ancient times.
The roles that explain the career.
44 credits across 4 departments.
| Year | Title | Role | Type |
|---|---|---|---|
| 2015 | Regissören: En film om Mai Zetterling | Self (archival footage) | Film |
| 1990 | Hidden Agenda | Moa | Film |
| 1990 | The Witches | Helga Eveshim | Film |
| 1986 | Concrete Grandma | Director | Film |
| 1986 | Amorosa | Director | Film |
| 1986 | Amorosa | Writer | Film |
| 1982 | Scrubbers | Director | Film |
| 1982 | Scrubbers | Writer | Film |
| 1981 | Of Seals and Men | Director | Film |
| 1981 | Of Seals and Men | Writer | Film |
| 1973 | Visions of Eight | Narrator | Film |
| 1973 | Visions of Eight | Director | Film |
| 1968 | The Girls | Director | Film |
| 1968 | Doctor Glas | Director | Film |
| 1968 | The Girls | Writer | Film |
| 1966 | Night Games | Director | Film |
| 1966 | Night Games | Writer | Film |
| 1964 | Loving Couples | Director | Film |
| 1964 | Loving Couples | Writer | Film |
| 1963 | The Man Who Finally Died | Lisa von Deutsch | Film |
| 1962 | Only Two Can Play | Liz | Film |
| 1962 | The Main Attraction | Gina | Film |
| 1961 | Offbeat | Ruth Lombard | Film |
| 1960 | Piccadilly Third Stop | Christine Preedy | Film |
| 1960 | Faces in the Dark | Christiane Hammond | Film |
| 1959 | Jet Storm | Carol Tilley | Film |
| 1958 | The Master Builder | Hilda Wangel | Film |
| 1957 | Seven Waves Away | Nurse Julie White | Film |
| 1955 | A Prize of Gold | Maria | Film |
| 1954 | Knock on Wood | Ilse Nordstrom | Film |
| 1953 | Desperate Moment | Anna DeBurg | Film |
| 1952 | The Ringer | Lisa | Film |
| 1951 | Blackmailed | Mrs. Carol Edwards | Film |
| 1949 | The Romantic Age | Arlette Tessereau | Film |
| 1948 | Life Starts Now | Vera Ullman | Film |
| 1948 | Music in Darkness | Ingrid Olofsson | Film |
| 1948 | Quartet | Jeanne (segment "The Facts of Life") | Film |
| 1947 | Frieda | Frieda | Film |
| 1946 | Iris and the Lieutenant | Iris Mattson | Film |
| 1946 | Sunshine Follows Rain | Marit Germundsdotter | Film |
| 1944 | Torment | Bertha Olsson | Film |
| 1943 | Jag dräpte | Miss Peters | Film |
| The Polite Invasion | Film | ||
| The Polite Invasion | Director | Film |
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