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María Valverde Rodríguez, born in Madrid’s Carabanchel district in 1987, emerged early as a prodigious talent in Spanish cinema. At sixteen, she secured a leading role alongside Luis Tosar in Manuel Martín Cuenca’s “La flaqueza del bolchevique,” a performance that earned her the 2003 Goya Award. Valverde has since expanded her repertoire with challenging roles in films like “Melissa P.,” based on Melissa Panarello’s controversial novel “One Hundred Strokes of the Brush Before Bed,” solidifying her status as a versatile and compelling presence in contemporary Spanish cinema.
The roles that explain the career.
21 credits across 2 departments.
| Year | Title | Role | Type |
|---|---|---|---|
| 2017 | Back to Burgundy | Alicia | Film |
| 2016 | Guernica | Teresa | Film |
| 2014 | Exodus: Gods and Kings | Séfora | Film |
| 2013 | The Liberator | María Teresa Bolívar | Film |
| 2013 | The Mule | Conchi | Film |
| 2012 | Madrid, 1987 | Ángela | Film |
| 2012 | The Cold Call | Inés | Film |
| 2012 | I Want You | Babi | Film |
| 2010 | Three Steps Above Heaven | Babi | Film |
| 2009 | Cracks | Fiamma | Film |
| 2008 | The Anarchist's Wife | Manuela | Film |
| 2008 | El último truco | Self | Film |
| 2008 | The King of the Hill | Bea | Film |
| 2007 | The Sandman | Lola | Film |
| 2007 | Thieves | Ladrona | Film |
| 2006 | The Borgia | Lucrecia Borgia | Film |
| 2005 | Melissa P. | Melissa P. | Film |
| 2005 | Vorvik | Sofía | Film |
| 2004 | Body Confusion | Cuca | Film |
| 2003 | The Weakness of the Bolshevik | María | Film |
| The Final Problem | TV |
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