Michel Jacques Daniel Piccoli was the son of Henri Piccoli, violinist and Marcelle Expert-Bezançon (1892-1990), pianist and daughter of the French industrialist and politician Charles Expert-Bezançon. In 1954, Michel Piccoli married actress Éléonore Hirt with whom he had a daughter, Anne-Cordélia Piccoli. In 1966, he married the singer Juliette Gréco, then in 1978 the screenwriter Ludivine Clerc, with whom he adopted two children of Polish origin, Inord and Missia.
Placed in an establishment for problem children, the commitments of the young Piccoli, are made in opposition to his maternal grandfather, senator of the Third Republic, financier of the Radical Party, and important industrial painter, accused by the trade union left and by Georges Clemenceau, of having intoxicated his workmen through lead white which causes lead poisoning.
Michel Piccoli then trained as an actor first with Andrée Bauer-Théraud and then during Simon. After an appearance as an extra in "Sortilèges" by Christian-Jaque in 1945, Michel Piccoli made his film debut in "Le Point Du Jour" by Louis Daquin. In the theater he distinguished himself with the Renaud-Barrault and Grenier-Hussot companies as well as at the Théâtre de Babylone. Noticed in the film "French Cancan" in 1954, he continued on stage and worked with directors Jacques Audiberti, Jean Vilar, Jean-Marie Serreau, Peter Brook, Luc Bondy, Patrice Chéreau and André Engel, and became also know in popular TV movies. Having become an atheist after a family bereavement, he met Luis Buñuel in 1956, and ironically took on the role of a priest in "La Mort En Ce Jardin". In 1959, he shot "Le Rendez-Vous De Noël", a short film by André Michel based on the short story by Malek Ouary "Le Noël Du Petit Cireur", in Algiers. The 1960s sounded his consecration, noticed in "Le Doulos" by Jean-Pierre Melville, he was revealed internationally with "Le Mépris" by Jean-Luc Godard alongside Brigitte Bardot. From then on, he toured with the greatest French and international filmmakers such as Alfred Hitchcock, Luis Buñuel, Youssef Chahine, Manoel de Oliveira...
The roles that explain the career.
80 credits across 2 departments.
| Year | Title | Role | Type |
|---|---|---|---|
| 2024 | It's Not Me | (archive footage) | Film |
| 2012 | Lines of Wellington | Leópold Scheitzer | Film |
| 2012 | Holy Motors | Man with the Wine Stain | Film |
| 2012 | You Ain't Seen Nothin' Yet | Le père | Film |
| 2009 | Le Bel Âge | Maurice Reverdy | Film |
| 2008 | On War | Le grand Hou | Film |
| 2008 | The Dust of Time | Spyros | Film |
| 2007 | Le Roi Lear | Le roi Lear | Film |
| 2007 | To Each His Own Cinema | Nikita Kruschev (segment "Rencontre unique") | Film |
| 2007 | Boxes | Daddy | Film |
| 2007 | Rencontre Unique | Nikita Khrouchtchev | Film |
| 2007 | Beneath the Rooftops of Paris | Marcel | Film |
| 2007 | The Duchess of Langeais | Vidame de Pamiers | Film |
| 2006 | Belle Toujours | Henri Husson | Film |
| 2006 | Magic Mirror | Prof. Heschel | Film |
| 2006 | Gardens in Autumn | Marie, la mère de Vincent | Film |
| 2003 | A Man, a Real One | Michel Piccoli | Film |
| 2003 | Raining Cats and Frogs | Ferdinand (voice) | Film |
| 2003 | Little Lili | acteur qui joue Simon | Film |
| 2003 | That Day | Harald | Film |
| 2002 | Il bambino di Betlemme | Film | |
| 2001 | I’m Going Home | Gilbert Valence | Film |
| 2000 | Speaking of Buñuel | Self | Film |
| 2000 | Everything's Fine, We're Leaving | Louis | Film |
| 2000 | Actors | Michel Piccoli | Film |
| 1999 | París-Tombuctú | Michel des Assantes | Film |
| 1999 | Nothing About Robert | Lord Ariel Chatwick-West | Film |
| 1999 | Libero Burro | Zio Tony | Film |
| 1997 | Passion in the Desert | Jean-Michel Venture de Paradis | Film |
| 1997 | Genealogies of a Crime | Georges Didier | Film |
| 1996 | Beaumarchais the Scoundrel | Prince de Conti | Film |
| 1996 | Tykho Moon | Mac Bee / frère Mac Bee | Film |
| 1996 | Party | Michel | Film |
| 1995 | 2 x 50 Years of French Cinema | Self | Film |
| 1995 | One Hundred and One Nights | Simon Cinéma | Film |
| 1995 | The World of Jacques Demy | Self | Film |
| 1994 | The Black Angel | Georges Feuvrier | Film |
| 1994 | The Emigrant | Adam - Ram's father | Film |
| 1993 | Loonies at Large | Henri Toussaint | Film |
| 1993 | Rupture(s) | Paul | Film |
| 1993 | Archipel | Leonard Wilde | Film |
| 1993 | The Young Girls Turn 25 | Self (archive footage) | Film |
| 1992 | Le Bal des casse-pieds | Désiré, l'homosexuel | Film |
| 1992 | The Supper | Chateaubriand (voice) | Film |
| 1991 | The Children Thief | Mr. Armand | Film |
| 1991 | Walking a Tightrope | Marcel Spadice | Film |
| 1991 | La Belle Noiseuse | Edouard Frenhofer | Film |
| 1990 | May Fools | Milou | Film |
| 1989 | The Monkey Folk | Film | |
| 1989 | Les Grandes Familles | Noël Schoudler | TV |
| 1988 | How Good the Whites Are | Père Jean-Marie | Film |
| 1988 | Un coupable | L'avocat | Film |
| 1988 | La Ruelle au clair de lune | Pierre Willer | Film |
| 1987 | The Veiled Man | Kassar | Film |
| 1987 | La Rumba | Damien Malleville | Film |
| 1987 | The Distant Land | Friedrich Hofreiter | Film |
| 1987 | Malady of Love | Raoul Bergeron | Film |
| 1986 | The Nonentity | der Tölpel | Film |
| 1986 | My Brother-in-law Killed My Sister | Étienne Sembadel | Film |
| 1986 | The Prude | Pierre | Film |
| 1986 | Mauvais Sang | Marc | Film |
| 1985 | Death in a French Garden | Graham Tombsthay | Film |
| 1985 | Going and Coming Back | Simon Lerner | Film |
| 1985 | Adieu Bonaparte | Caffarelli | Film |
| 1984 | Dangerous Moves | Akiva Liebskind | Film |
| 1984 | Success Is the Best Revenge | French Official | Film |
| 1984 | Long Live Life | Michel Perrin | Film |
| 1983 | The Prize of Peril | Frédéric Mallaire | Film |
| 1982 | The Eyes, the Mouth | Tío Agostino | Film |
| 1982 | Will the High Salaried Workers Raise Their Hands! | José Viss | Film |
| 1982 | Scénario du film Passion | Self | Film |
| 1982 | The Passerby | Max Baumstein | Film |
| 1982 | Spy, Stand Up | Jean-Paul Chance | Film |
| 1982 | A Room in Town | Edmond Leroyer | Film |
| 1982 | Beyond the Door | Mr. Mutti | Film |
| 1982 | Godard's Passion | Michel Boulard | Film |
| 1981 | Strange Affair | Bertrand Malair | Film |
| 1981 | The Prodigal Daughter | Le père | Film |
| 1981 | Du crime considéré comme un des beaux-arts. | Morrand | Film |
| 1980 | Atlantic City | Joseph | Film |
This page is community-maintained. Know something we don't?
← All person · Wikidata Q295257