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A Brazilian filmmaker, screenwriter, actor, photographer and multimedia artist, involved with contemporary art, installations, art objects and performances, Neville Duarte Almeida was born in 1941 in the Brazilian city of Belo Horizonte. Raised by a Methodist Christian family, he studied theater at the Scholastic Theatre of Minas Gerais and participated at the local Center of Film Studies, where he started to work as an filmmaker.
Some of his transgressive, avant-garde films were censored or banned by the Brazilian military dictatorship, after which he went on to directing films aimed to a more commercial approach. His 1978 film "Lady on the Bus", starring Sônia Braga, was a box-office champíon and still holds its place as the the third highest-grossing Brazilian film of all time.
The roles that explain the career.
24 credits across 5 departments.
| Year | Title | Role | Type |
|---|---|---|---|
| 2018 | O Poder Negro | Director | Film |
| 2018 | O Poder Negro | Writer | Film |
| 1997 | Razor in the Flesh | Man in Club (Cameo) | Film |
| 1997 | Razor in the Flesh | Director | Film |
| 1991 | Killed the Family and Went to the Movies | Man Reading Newspaper (uncredited) | Film |
| 1991 | Killed the Family and Went to the Movies | Director | Film |
| 1991 | Killed the Family and Went to the Movies | Executive Producer | Film |
| 1989 | Sermões | Film | |
| 1982 | Rio Babilonia | Director | Film |
| 1980 | The Seven Kittens | Director | Film |
| 1980 | The Seven Kittens | Producer | Film |
| 1978 | Lady on the Bus | Director | Film |
| 1978 | Lady on the Bus | Associate Producer | Film |
| 1971 | Piranhas no Asfalto | Director | Film |
| 1970 | No Way, Spider | Film | |
| 1969 | Garden of War | Film | |
| 1969 | The Angel Was Born | Film | |
| 1969 | Garden of War | Director | Film |
| 1969 | Garden of War | Writer | Film |
| 1969 | Garden of War | Producer | Film |
| 1968 | Hunger for Love | Film | |
| 1968 | The Red Light Bandit | Film | |
| 1966 | O Bem-Aventurado | Director | Film |
| 1966 | O Bem-Aventurado | Writer | Film |
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