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Edith Norma Shearer (August 10, 1902 – June 12, 1983) was a Canadian-American actress. Shearer was one of the most popular actresses in North America from the mid-1920s through the 1930s. Her early films cast her as the girl next door, but for most of the Pre-Code film era, beginning with the 1930 film The Divorcee, for which she won an Oscar for Best Actress, she played sexually liberated women in sophisticated contemporary comedies. Later she appeared in historical and period films.
Unlike many of her MGM contemporaries, Shearer's fame declined steeply after retirement. By the time of her death in 1983, she was largely remembered at best for her "noble" roles in The Women, Marie Antoinette, and Romeo and Juliet. Shearer's legacy began to be re-evaluated in the 1990s with the publication of two biographies and the TCM (Turner Classic Movies) and VHS release of her films, many of them unseen since the implementation of the Production Code some sixty years before. Focus shifted to her pre-Code "divorcee" persona, and Shearer was rediscovered as "the exemplar of sophisticated [1930's] woman-hood... exploring love and sex with an honesty that would be considered frank by modern standards".
The roles that explain the career.
41 credits across 1 departments.
| Year | Title | Role | Type |
|---|---|---|---|
| 2015 | Leslie Howard: The Man Who Gave a Damn | Self (archive footage) | Film |
| 2008 | Thou Shalt Not: Sex, Sin and Censorship in Pre-Code Hollywood | Various Roles (archive footage) | Film |
| 2004 | Checking Out: Grand Hotel | Self (archive footage) | Film |
| 1995 | Legends in Light: The Photography of George Hurrell | Self (archive footage) | Film |
| 1942 | Her Cardboard Lover | Consuelo Croyden | Film |
| 1942 | We Were Dancing | Victoria Anastasia Wilomirska | Film |
| 1940 | Escape | Countess Ruby von Treck | Film |
| 1939 | Idiot's Delight | Irene Fellara | Film |
| 1939 | The Women | Mary Haines | Film |
| 1938 | Marie Antoinette | Marie Antoinette | Film |
| 1936 | Romeo and Juliet | Juliet | Film |
| 1934 | The Barretts of Wimpole Street | Elizabeth Barrett | Film |
| 1934 | Riptide | Lady Mary Rexford | Film |
| 1933 | Going Hollywood | Herself - Premiere Clip (archive footage) | Film |
| 1932 | Strange Interlude | Nina Leeds | Film |
| 1932 | Smilin' Through | Kathleen / Moonyeen | Film |
| 1931 | The Stolen Jools | Owner of Stolen Jewels | Film |
| 1931 | Strangers May Kiss | Lisbeth Corbin | Film |
| 1931 | The Christmas Party | Herself | Film |
| 1931 | Private Lives | Amanda Prynne | Film |
| 1931 | A Free Soul | Jan Ashe | Film |
| 1930 | The Divorcee | Jerry | Film |
| 1930 | Let Us Be Gay | Kitty Brown | Film |
| 1929 | The Hollywood Revue of 1929 | Self / Juliet | Film |
| 1929 | The Trial of Mary Dugan | Mary Elizabeth Dugan | Film |
| 1929 | Their Own Desire | Lucia 'Lally' Marlett | Film |
| 1928 | The Student Prince in Old Heidelberg | Kathi | Film |
| 1928 | A Lady of Chance | Dolly Morgan | Film |
| 1927 | After Midnight | Mary Miller | Film |
| 1926 | Upstage | Dolly Haven | Film |
| 1926 | The Waning Sex | Nina Duane | Film |
| 1926 | The Devil's Circus | Mary | Film |
| 1925 | Pretty Ladies | Frances White | Film |
| 1925 | Lady of the Night | Molly Helmer / Florence Banning | Film |
| 1925 | 1925 Studio Tour | Self | Film |
| 1924 | The Wolf Man | Elizabeth Gordon | Film |
| 1924 | He Who Gets Slapped | Consuelo | Film |
| 1922 | The Man Who Paid | Jeanne Thornton | Film |
| 1920 | Way Down East | Barn Dancer (uncredited) | Film |
| 1920 | The Flapper | Schoolgirl (uncredited) | Film |
| 1919 | The Star Boarder | Big V Beauty Squad Member (uncredited) | Film |
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