I was born in ’57 and they immediately saw that I was male and that they would have to call me Francisco, which was the traditional thing to do in the Mir branch of the family. As a child I went through a stage of “Currito” (to differentiate myself from my father, who was called Curro) and even a “Currito de Oro” which, years later I took advantage of, using the name as an alias of a character who was a bullfighter. Finally everyone agreed and they called me Paco. I was going to be a Fine Arts student (although I really wanted to draw comic strips) when I happened to stumble upon the performing arts and, today, after kicking stages around the world for almost 40 years, creating eight works with Tricicle, writing a lot, winning two Max awards, producing several television series, creating advertising campaigns and adapting and directing (with some success) more than fifty theater, zarzuela and opera titles, I still have the feeling that I am in the show business by sheer chance. I never stopped drawing just in case.
9 credits across 4 departments.
| Year | Title | Role | Type |
|---|---|---|---|
| 2003 | Lo mejor que le puede pasar a un cruasán | Director | Film |
| 2003 | Lo mejor que le puede pasar a un cruasán | Writer | Film |
| 1996 | Palace | Modesto Rius / Inspector / Paul Lennon | Film |
| 1996 | Palace | Director | Film |
| 1992 | Tricicle: Terrrific! | Film | |
| 1992 | Tricicle: Terrrific! | Director | Film |
| 1988 | Tricicle: Slastic | Various Roles | Film |
| 1985 | Tricicle: Exit | Various Roles | Film |
| 1985 | Tricicle: Exit | Director | Film |
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