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Peter Chan Ho-Sun, born in 1962, is a Hong Kong filmmaker whose work has left an indelible mark on the Asian cinema landscape. With a career spanning decades, Chan has navigated the complexities of modern China and Hong Kong through his nuanced portrayals of societal change and personal struggle. His films often blend intimate human drama with broader political commentary, creating a space where personal narratives intersect with historical events.CHAN's aesthetic is defined by a keen observational eye and a commitment to authenticity, making him one of the most respected voices in contemporary Asian cinema.
The roles that explain the career.
51 credits across 4 departments.
| Year | Title | Role | Type |
|---|---|---|---|
| 2022 | Weak Hero | Executive Producer | TV |
| 2019 | Better Days | Executive Producer | Film |
| 2016 | SoulMate | Producer | Film |
| 2014 | Dearest | Director | Film |
| 2014 | Dearest | Producer | Film |
| 2013 | American Dreams in China | Director | Film |
| 2012 | The Guillotines | Producer | Film |
| 2011 | Dragon | Director | Film |
| 2011 | Dragon | Producer | Film |
| 2011 | Mr. & Mrs. Incredible | Producer | Film |
| 2009 | Bodyguards and Assassins | Producer | Film |
| 2008 | The Eye | Executive Producer | Film |
| 2007 | 0506HK | Film | |
| 2007 | The Warlords | Director | Film |
| 2007 | Protégé | Producer | Film |
| 2007 | The Warlords | Producer | Film |
| 2006 | McDull, the Alumni | Producer | Film |
| 2005 | A Century of Light and Shadow | Self | TV |
| 2005 | Perhaps Love | Director | Film |
| 2005 | Perhaps Love | Producer | Film |
| 2005 | The Eye 3: Infinity | Producer | Film |
| 2004 | Dumplings | Producer | Film |
| 2004 | The Eye 2 | Executive Producer | Film |
| 2004 | Three... Extremes | Producer | Film |
| 2003 | 1:99 Shorts | Director | Film |
| 2003 | Golden Chicken 2 | Producer | Film |
| 2002 | Three | Director | Film |
| 2002 | Three: Going Home | Director | Film |
| 2002 | Golden Chicken | Producer | Film |
| 2002 | The Eye | Producer | Film |
| 2002 | Three | Executive Producer | Film |
| 2002 | Three: Going Home | Executive Producer | Film |
| 2001 | Jan Dara | Executive Producer | Film |
| 2001 | One Fine Spring Day | Producer | Film |
| 2000 | Twelve Nights | Executive Producer | Film |
| 1999 | The Love Letter | Director | Film |
| 1996 | Comrades, Almost a Love Story | Director | Film |
| 1996 | Who's the Woman, Who's the Man? | Director | Film |
| 1996 | Comrades, Almost a Love Story | Producer | Film |
| 1994 | Twenty Something | Film | |
| 1994 | He's a Woman, She's a Man | Director | Film |
| 1994 | He's a Woman, She's a Man | Producer | Film |
| 1994 | Twenty Something | Producer | Film |
| 1993 | C'est La Vie Mon Cheri | Cocktail party attendee | Film |
| 1993 | He Ain't Heavy, He's My Father | Director | Film |
| 1993 | Tom, Dick and Hairy | Director | Film |
| 1992 | The Days of Being Dumb | Producer | Film |
| 1990 | Curry & Pepper | Producer | Film |
| 1984 | Heroes Shed No Tears | Producer | Film |
| 1984 | Wheels on Meals | Assistant Production Manager | Film |
| 1982 | Carry On Pickpocket | Chou Meng Sheng | Film |
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