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Pierre Braunberger (29 July 1905, Paris – 16 November 1990, Aubervilliers) was a French producer, executive producer, and actor.
Born into a family of physicians, Braunberger at the age of seven was already determined not have the same life as his father, and not to take up medicine as a career. He saw a screening of Fantômas at the Gaumont Théâtre, the first cinema to open in Paris, and decided to work in the cinema.
After the First World War, at the age of 15, he produced and directed his first film: Frankfurt in Germany. He left for successive adventures in Berlin, London at Brocklis establishments, where he worked.
58 credits across 3 departments.
| Year | Title | Role | Type |
|---|---|---|---|
| 2022 | The Song of Styrene | Producer | Film |
| 1979 | Immoral Women | Executive Producer | Film |
| 1979 | Private Collections | Executive Producer | Film |
| 1979 | Private Collections | Executive Producer | Film |
| 1976 | Let's Make a Dirty Movie | Production Manager | Film |
| 1975 | Act of Aggression | Executive Producer | Film |
| 1974 | How to Make Good When One Is a Jerk and a Crybaby | Executive Producer | Film |
| 1971 | The Laboratory of Fear | Producer | Film |
| 1971 | Rabbit's Moon | Production Office Coordinator | Film |
| 1971 | Fantasia Among the Squares | Producer | Film |
| 1971 | Catch Me a Spy | Producer | Film |
| 1970 | Little by Little | Producer | Film |
| 1969 | Erotissimo | Producer | Film |
| 1969 | Directing Actors by Jean Renoir | Producer | Film |
| 1968 | Ankle Bone | Producer | Film |
| 1967 | Jean Renoir, le patron, 3e partie: La règle et l'exception | Self | Film |
| 1967 | Jaguar | Executive Producer | Film |
| 1966 | The Lion Hunters | Producer | Film |
| 1966 | Chanson de gestes | Producer | Film |
| 1966 | Soldier Martin | Producer | Film |
| 1965 | The Botanical Avatar of Mademoiselle Flora | Producer | Film |
| 1965 | To Be a Crook | Producer | Film |
| 1964 | In the Affirmative | Producer | Film |
| 1964 | All About Loving | Producer | Film |
| 1964 | Village Sweetness | Producer | Film |
| 1963 | Muriel, or the Time of Return | Co-Producer | Film |
| 1962 | The Immoral Moment | Producer | Film |
| 1962 | Janine | Executive Producer | Film |
| 1962 | Vivre Sa Vie | Producer | Film |
| 1961 | A Story of Water | Producer | Film |
| 1961 | ¡Cuba Sí! | Producer | Film |
| 1960 | Shoot the Piano Player | Producer | Film |
| 1960 | A Game for Six Lovers | Production Manager | Film |
| 1960 | Love Exists | Producer | Film |
| 1960 | America as Seen by a Frenchman | Producer | Film |
| 1959 | I, a Negro | Executive Producer | Film |
| 1959 | All the Boys Are Called Patrick | Producer | Film |
| 1958 | Charlotte and Her Boyfriend | Producer | Film |
| 1958 | O Seasons, O Castles | Producer | Film |
| 1956 | All the World's Memory | Producer | Film |
| 1956 | Fool’s Mate | Producer | Film |
| 1953 | Julietta | Producer | Film |
| 1951 | Guernica | Producer | Film |
| 1948 | Paris 1900 | Executive Producer | Film |
| 1948 | Van Gogh | Producer | Film |
| 1946 | A Day in the Country | Producer | Film |
| 1937 | Forfaiture | Producer | Film |
| 1932 | Fantômas | Producer | Film |
| 1931 | Baby's Laxative | Producer | Film |
| 1931 | Black and White | Producer | Film |
| 1931 | La Chienne | Producer | Film |
| 1929 | Montparnasse | Producer | Film |
| 1928 | The Sad Sack | Producer | Film |
| 1927 | Backbiters | Film | |
| 1927 | Charleston Parade | Angel | Film |
| 1927 | Backbiters | Producer | Film |
| 1927 | Charleston Parade | Producer | Film |
| 1927 | La P’tite Lili | Producer | Film |
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