Richard Brooks (May 18, 1912 – March 11, 1992) was an American screenwriter, director, novelist and occasional producer. His outstanding works as director are Blackboard Jungle (1955); Cat on a Hot Tin Roof (1958); Elmer Gantry (1960) – for which he won an Academy Award for Best Writing (Adapted Screenplay); In Cold Blood (1967); and Looking for Mr. Goodbar (1977).
Brooks was one of the relatively few filmmakers whose careers bridged the transition from the classic studio system to the independent productions that marked the 1960s and beyond. He was also among the postwar writer-directors who made some of their best films as they struggled to break free of industry censorship. His legacy is that of a filmmaker who sought independence in a collaborative art and tried to bring his own vision to the screen.
Description above from the Wikipedia article Richard Brooks, licensed under CC-BY-SA, full list of contributors on Wikipedia.
The roles that explain the career.
58 credits across 5 departments.
| Year | Title | Role | Type |
|---|---|---|---|
| 2022 | Reasonable Doubt | Eddie Nicholas | TV |
| 2020 | Troubled Waters | Floyd Cash | Film |
| 2004 | If Love Hadn't Left Me Lonely | Ricardo French | Film |
| 1999 | In Too Deep | Wesley | Film |
| 1999 | G vs E | TV | |
| 1996 | Chameleon | Tom Wilson | Film |
| 1996 | Black Rose of Harlem | Yancey | Film |
| 1996 | The Substitute | Wellman | Film |
| 1996 | The Crow: City of Angels | Judah Earl | Film |
| 1990 | To Sleep with Anger | Samuel “Baby Brother” | Film |
| 1989 | Shocker | Rhino | Film |
| 1989 | 84 Charlie Mopic | OD | Film |
| 1988 | Off Limits | Preacher | Film |
| 1988 | Shakedown | Michael Jones | Film |
| 1987 | The Hidden | Sanchez | Film |
| 1986 | Resting Place | Booker T. Douglas | Film |
| 1986 | Good to Go | Chemist | Film |
| 1985 | Teen Wolf | Lemonade | Film |
| 1985 | Badge of the Assassin | Anthony 'Tony' Bottom | Film |
| 1985 | Fever Pitch | Director | Film |
| 1985 | Fever Pitch | Writer | Film |
| 1982 | Wrong Is Right | Director | Film |
| 1982 | Wrong Is Right | Writer | Film |
| 1982 | Wrong Is Right | Producer | Film |
| 1977 | Looking for Mr. Goodbar | Director | Film |
| 1975 | Bite the Bullet | Director | Film |
| 1975 | Bite the Bullet | Writer | Film |
| 1975 | Bite the Bullet | Producer | Film |
| 1969 | The Happy Ending | Director | Film |
| 1969 | The Happy Ending | Writer | Film |
| 1969 | The Happy Ending | Producer | Film |
| 1966 | The Professionals | Director | Film |
| 1966 | The Professionals | Producer | Film |
| 1965 | Lord Jim | Director | Film |
| 1965 | Lord Jim | Writer | Film |
| 1965 | Lord Jim | Producer | Film |
| 1962 | Sweet Bird of Youth | Director | Film |
| 1960 | Elmer Gantry | Director | Film |
| 1958 | The Brothers Karamazov | Director | Film |
| 1958 | Cat on a Hot Tin Roof | Director | Film |
| 1958 | The Brothers Karamazov | Writer | Film |
| 1957 | Something of Value | Director | Film |
| 1956 | The Catered Affair | Director | Film |
| 1956 | The Last Hunt | Director | Film |
| 1956 | The Last Hunt | Writer | Film |
| 1955 | Blackboard Jungle | Director | Film |
| 1954 | The Last Time I Saw Paris | Director | Film |
| 1953 | Battle Circus | Director | Film |
| 1953 | Take the High Ground! | Director | Film |
| 1953 | Battle Circus | Writer | Film |
| 1952 | Deadline - U.S.A. | Director | Film |
| 1952 | Deadline - U.S.A. | Writer | Film |
| 1951 | The Light Touch | Director | Film |
| 1951 | Storm Warning | Writer | Film |
| 1950 | Crisis | Director | Film |
| 1950 | Crisis | Writer | Film |
| 1946 | The Killers | Writer | Film |
| 1944 | With the Marines at Tarawa | Director | Film |
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