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From Wikipedia, the free encyclopedia
Dorothea Sally Eilers (December 11, 1908 – January 5, 1978) was an American actress.
She made her film debut in 1927 in The Red Mill, directed by Roscoe Arbuckle. After several minor roles as an extra, in 1927-1928 she found work with Mack Sennett as one of his "flaming youth" comedians in several comedy short subjects, along with Carole Lombard, who had been a school friend. In 1928, she was voted as one of the WAMPAS Baby Stars, a yearly list of young actresses selected by publicity people in the film business, with selection based on the actresses' having "shown the most promise during the past 12 months."
The roles that explain the career.
36 credits across 2 departments.
| Year | Title | Role | Type |
|---|---|---|---|
| 1950 | Stage to Tucson | Annie Benson | Film |
| 1948 | Coroner Creek | Della Harms | Film |
| 1945 | Strange Illusion | Virginia Cartwright | Film |
| 1944 | A Wave, a WAC and a Marine | Margaret Ames | Film |
| 1939 | They Made Her a Spy | Irene Eaton a.k.a. Margaret Brennan | Film |
| 1937 | We Have Our Moments | Mary Smith | Film |
| 1936 | Don’t Get Personal | Sally van Ranseleer aka Jinxy | Film |
| 1936 | Strike Me Pink | Claribel Higg | Film |
| 1935 | Pursuit | Maxine Bush | Film |
| 1935 | Remember Last Night? | Bette Huling | Film |
| 1935 | Starlit Days at the Lido | Self | Film |
| 1933 | State Fair | Emily Joyce | Film |
| 1933 | Sailor's Luck | Sally Brent | Film |
| 1933 | Central Airport | Jill Collins | Film |
| 1933 | Made on Broadway | Mona | Film |
| 1931 | A Holy Terror | Jerry Foster | Film |
| 1931 | The Black Camel | Julie O'Neil | Film |
| 1931 | Parlor, Bedroom and Bath | Virginia Embrey | Film |
| 1931 | Reducing | Joyce Roche | Film |
| 1931 | Clearing the Range | Mary Lou Moran | Film |
| 1931 | Bad Girl | Dorothy Haley | Film |
| 1931 | Quick Millions | Daisy De Lisle | Film |
| 1930 | She Couldn't Say No | Iris | Film |
| 1930 | Let Us Be Gay | Diane | Film |
| 1930 | Doughboys | Mary | Film |
| 1929 | Matchmaking Mamma | Sally McNitt | Film |
| 1929 | Broadway Babies | Navarre King | Film |
| 1929 | Weary River | Hatcheck Girl (uncredited) | Film |
| 1928 | The Crowd | Party Girl at Bert's Place (uncredited) | Film |
| 1928 | The Campus Carmen | Film | |
| 1928 | Fazil | Harem Girl | Film |
| 1928 | The Campus Vamp | Sally | Film |
| 1927 | Cradle Snatchers | Flapper Girlfriend | Film |
| 1927 | The Red Mill | Skater (uncredited) | Film |
| 1927 | Paid to Love | Excited Girl Tourist (uncredited) | Film |
| 1927 | Sunrise: A Song of Two Humans | Woman in Dance Hall (uncredited) | Film |
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