Shirley Anne Field (born Shirley Broomfield; June 27, 1938 - December 10, 2023) was an English actress who performed on stage, film and television since 1955, prominent during the British New Wave.
After a course at the Lucie Clayton School and Model Agency, she became a photographic model for pin-up magazines like Reveille and Titbits. She was subsequently spotted by Bill Watts, who ran a theatrical agency and obtained for her roles in late 1950s British films, usually uncredited. Her first appearance in a film was as an extra in Simon and Laura (1955). She had small parts in All for Mary (1955), Lost (1956), Yield to the Night (1956) (directed by J. Lee Thompson), It's Never Too Late (1956), It's a Wonderful World (1956), The Weapon (1956), Loser Takes All (1956), The Silken Affair (1956), Dry Rot (1956), The Good Companions (1957) (again for Thompson), Seven Thunders (1957), and The Flesh Is Weak (1957). She was in episodes of The New Adventures of Martin Kane (1957) and International Detective. Field's first sizeable film role was in Horrors of the Black Museum (1959). She had minor parts in Once More, with Feeling! (1960) and And the Same to You (1960). Field had a larger role in the controversial Peeping Tom (1960). She appeared on stage in The Lily White Boys with Albert Finney.
In 1960, Field's breakthrough came when she was chosen by Tony Richardson to play the role of model Tina Lapford in The Entertainer (1960), starring Laurence Olivier, distributed by Bryanston Films. Field had a supporting role in Beat Girl (1960), then appeared in probably her best known role as Doreen, the would-be girlfriend of rebellious Arthur Seaton (played by Albert Finney), in the New Wave film Saturday Night and Sunday Morning (1960).
The roles that explain the career.
29 credits across 2 departments.
| Year | Title | Role | Type |
|---|---|---|---|
| 2010 | The Kid | Margaret | Film |
| 2000 | Christie Malry's Own Double-Entry | Mary the Mother of Christie | Film |
| 1993 | U.F.O. The Movie | Supreme Commander | Film |
| 1991 | Hear My Song | Cathleen Doyle | Film |
| 1989 | The Rachel Papers | Mrs. Seth Smith | Film |
| 1989 | Shag | Mrs. Clatterbuck | Film |
| 1989 | Getting It Right | Anne | Film |
| 1985 | My Beautiful Laundrette | Rachel | Film |
| 1974 | House of the Living Dead | Mary Anne Carew | Film |
| 1966 | The Wedding March | Laure | Film |
| 1966 | Doctor in Clover | Nurse Bancroft | Film |
| 1966 | Alfie | Carla | Film |
| 1963 | Kings of the Sun | Ixchel | Film |
| 1962 | The Damned | Joan | Film |
| 1962 | The War Lover | Daphne Caldwell | Film |
| 1962 | Lunch Hour | Girl | Film |
| 1960 | Once More, with Feeling! | Angela Hooper | Film |
| 1960 | Saturday Night and Sunday Morning | Doreen | Film |
| 1960 | Beat Girl | Dodo | Film |
| 1960 | Man in the Moon | Polly | Film |
| 1960 | Peeping Tom | Pauline Shields | Film |
| 1960 | And the Same to You | Iris Collins | Film |
| 1960 | The Entertainer | Tina Lapford | Film |
| 1959 | Horrors of the Black Museum | Angela Banks | Film |
| 1957 | The Flesh Is Weak | Susan | Film |
| 1957 | Seven Thunders | Prostitute | Film |
| 1956 | The Weapon | Film | |
| 1956 | Lost | Girl Working at Taxi Garage | Film |
| 1956 | Loser Takes All | Attractive Girl in Salle Rivée (uncredited) | Film |
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