Stanley Kubrick, an American filmmaker who spent the latter decades of his life in England, was renowned for his meticulous approach to filmmaking and his ability to transcend genre boundaries. His works, characterized by formal visual stylization and a meticulous attention to detail, often incorporate surreal and expressionistic elements that challenge traditional narrative structures. Kubrick's films, frequently perceived as slow and methodical, reflect his obsessive and perfectionist nature, exploring themes of man's inhumanity and the dehumanizing effects of war. Despite initial lukewarm receptions, his films, such as "2001: A Space Odyssey," later gained critical acclaim and influenced subsequent generations of filmmakers. His control over his projects and the meticulousness with which he worked ensured that each film was a testament to his singular vision, even as they occasionally faced controversy or commercial challenges.
The roles that explain the career.
36 credits across 3 departments.
| Year | Title | Role | Type |
|---|---|---|---|
| 2018 | Secrets of British Animation | Self (archive Footage) | Film |
| 2013 | Ain't Misbehavin | Self (archive footage) | Film |
| 2002 | Dark Side of the Moon | Self (archive footage) | Film |
| 2001 | Stanley Kubrick: A Life in Pictures | Self (Archive footage) | Film |
| 1999 | Eyes Wide Shut | Director | Film |
| 1999 | Eyes Wide Shut | Producer | Film |
| 1987 | Full Metal Jacket | Director | Film |
| 1987 | Full Metal Jacket | Producer | Film |
| 1983 | Six Kinds of Light - John Alcott | Self | Film |
| 1980 | Making 'The Shining' | Self | Film |
| 1980 | The Shining | Director | Film |
| 1980 | The Shining | Producer | Film |
| 1975 | Barry Lyndon | Director | Film |
| 1975 | Barry Lyndon | Producer | Film |
| 1971 | A Clockwork Orange | Director | Film |
| 1971 | A Clockwork Orange | Producer | Film |
| 1968 | 2001: A Space Odyssey | Director | Film |
| 1968 | 2001: A Space Odyssey | Producer | Film |
| 1964 | Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb | Director | Film |
| 1964 | Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb | Producer | Film |
| 1962 | Lolita | Director | Film |
| 1960 | Spartacus | Director | Film |
| 1957 | Paths of Glory | Director | Film |
| 1957 | Paths of Glory | Executive Producer | Film |
| 1956 | The Killing | Director | Film |
| 1955 | Killer's Kiss | Director | Film |
| 1955 | Killer's Kiss | Producer | Film |
| 1953 | Fear and Desire | Director | Film |
| 1953 | The Seafarers | Director | Film |
| 1953 | Fear and Desire | Producer | Film |
| 1951 | Day of the Fight | Self (man at ringside with camera) (uncredited) | Film |
| 1951 | Flying Padre | Director | Film |
| 1951 | Day of the Fight | Director | Film |
| 1951 | Day of the Fight | Producer | Film |
| 1947 | Dreams That Money Can Buy | Theatre Extra | Film |
| 1886 | OOH TURKEYS! | Director | Film |
This page is community-maintained. Know something we don't?
← All person · Wikidata Q2001