
From Wikipedia, the free encyclopedia. Vladimir Aleksandrovich Sokoloff (Russian: Владимир Александрович Соколов; December 26, 1889 – February 15, 1962) was a character actor on stage and particularly in film.
Sokoloff was born in Moscow, Russia. He became an actor and assistant director with the Moscow Art Theatre before emigrating to Berlin in 1923. With the rise of Nazism, Sokoloff who was Jewish, moved first to Paris in 1932, then to the United States in 1937.
He appeared in a number of Broadway plays from 1937 to 1950. He also quickly found work in American films, playing characters of a wide variety of nationalities (he himself once estimated 35), for example, Filipino (Back to Bataan), French (Passage to Marseille), Greek (Mr. Lucky), Arab (Road to Morocco), Romanian (I Was a Teenage Werewolf), and Chinese (Macao). Among his better known parts are the Spanish guerrilla Anselmo in For Whom the Bell Tolls (1943) and the Mexican Old Man in The Magnificent Seven.
The roles that explain the career.
59 credits across 1 departments.
| Year | Title | Role | Type |
|---|---|---|---|
| 1962 | Taras Bulba | Stepan Kanevsky | Film |
| 1961 | Mr. Sardonicus | Henryk Toleslawski | Film |
| 1960 | Cimarron | Jacob Krubeckoff | Film |
| 1960 | Beyond the Time Barrier | The Supreme | Film |
| 1960 | Man on a String | Papa of Boris Mitrov | Film |
| 1960 | The Magnificent Seven | Old Man | Film |
| 1958 | Twilight for the Gods | Feodor Morris | Film |
| 1957 | I Was a Teenage Werewolf | Pepe the Janitor | Film |
| 1957 | Monster from Green Hell | Dr. Lorentz | Film |
| 1957 | Sabu and the Magic Ring | The Old Fakir | Film |
| 1957 | Istanbul | Aziz Rakim | Film |
| 1956 | While the City Sleeps | George "Pop" Pilski | Film |
| 1952 | Macao | Kwan Sum Tang | Film |
| 1950 | The Baron of Arizona | Pepito Alvarez | Film |
| 1948 | To the Ends of the Earth | Commissioner Lum Chi Chow | Film |
| 1946 | Two Smart People | Jacques Dufour | Film |
| 1946 | Cloak and Dagger | Polda | Film |
| 1946 | A Scandal in Paris | Uncle Hugo | Film |
| 1945 | Back to Bataan | Señor Buenaventura J. Bello | Film |
| 1945 | A Royal Scandal | Malakoff | Film |
| 1945 | Scarlet Street | Pop LeJon | Film |
| 1945 | Paris Underground | Undertaker | Film |
| 1944 | The Conspirators | Miguel | Film |
| 1944 | Till We Meet Again | Cabeau | Film |
| 1944 | Passage to Marseille | Grandpere | Film |
| 1943 | For Whom the Bell Tolls | Anselmo | Film |
| 1943 | Mission to Moscow | Mikhail Kalinin, USSR president | Film |
| 1942 | Road to Morocco | Hyder Khan | Film |
| 1942 | Crossroads | Carlos Le Duc (uncredited) | Film |
| 1941 | Love Crazy | Dr. David Klugle | Film |
| 1940 | Comrade X | Michael Bastakoff | Film |
| 1939 | Juarez | Camilo | Film |
| 1939 | The Real Glory | The Datu | Film |
| 1939 | Sons of Liberty | Jacob (uncredited) | Film |
| 1938 | Spawn of the North | Dimitri | Film |
| 1938 | The Amazing Dr. Clitterhouse | Popus | Film |
| 1938 | Blockade | Basil | Film |
| 1938 | Arsène Lupin Returns | Ivan Pavloff | Film |
| 1937 | Conquest | Dying soldier | Film |
| 1937 | The Life of Emile Zola | Paul Cezanne | Film |
| 1937 | West of Shanghai | General Fu Shan | Film |
| 1936 | Mayerling | Chief of Police | Film |
| 1936 | Life Is Ours | Un vieillard dans le cortège final | Film |
| 1936 | Mister Flow | Merlow | Film |
| 1936 | Under Western Eyes | Le recteur | Film |
| 1936 | The Lower Depths | le vieux Kostileff | Film |
| 1934 | Ladies Lake | Baron Dobbersberg | Film |
| 1933 | Don Quixote | Gypsy King | Film |
| 1933 | High and Low | M. Berger | Film |
| 1932 | Queen of Atlantis | Graf Bielowski | Film |
| 1932 | The Mistress of Atlantis | L'hetman de Jitomir (as Vl. Sokoloff) | Film |
| 1931 | Hell on Earth | Lewin | Film |
| 1931 | The 3 Penny Opera | Smith, the Jailer | Film |
| 1931 | The Threepenny Opera | Smith | Film |
| 1930 | Westfront 1918 | Proviantmeister | Film |
| 1930 | Darling of the Gods | Boris Jussupoff | Film |
| 1930 | Farewell | The Baron | Film |
| 1929 | The Ship of Lost Men | Grischa - the Cook | Film |
| 1927 | The Love of Jeanne Ney | Zacharkiewicz | Film |
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