
William “Willie” Best (May 27, 1916 - February 27, 1962), sometimes known as “Sleep n' Eat,” was an American television and film actor. Best was one of the first African-American film actors and comedians to become well known. In the 21st century, his work, like that of Stepin Fetchit, is sometimes reviled because he was often called upon to play stereotypically lazy, illiterate, and/or simple-minded characters in films. Of the 124 films he appeared in, he received screen credit in at least 77, an unusual feat for an African-American bit player. Willie Best appeared in more than one hundred films of the 1930s and 1940s. Although several sources state that for years he was billed only as “Sleep n' Eat,” Best received credit under this moniker instead of his real name in only six movies: his first film as a bit player (Harold Lloyd's Feet First) and in Up Pops the Devil (1931), The Monster Walks (1932), Kentucky Kernels and West of the Pecos (both 1934), and Murder on a Honeymoon (1935). Best was first loved as a great clown, then later in the 20th century reviled and pitied, before being forgotten in the history of film. Hal Roach called him one of the greatest talents he had ever met. Comedian Bob Hope similarly acclaimed him as “the best actor I know,” while the two were working together in 1940 on The Ghost Breakers. As a supporting actor, Best, like many black actors of his era, was regularly cast in domestic worker or service-oriented roles (though a few times he played the role echoing his previous occupation as a private chauffeur). He was often seen making a brief comic turn as a hotel, airline or train porter, as well as an elevator operator, custodian, butler, valet, waiter, deliveryman, and at least once as a launch pilot (in the 1939 movie Mr. Moto in Danger Island). Willie Best received screen credit most of the time, which was unusual for “bit players,” most in the 1930s and '40s were not accorded due credit. This also happened to white actors in small roles, but black actors were not credited even when their roles were larger. In more than 80 of his movies, he was given a proper character name (as opposed to simple descriptions such as “room service waiter” or “shoe-shine boy”), beginning with his second film. Best played “Chattanooga Brown” in two Charlie Chan films —The Red Dragon in 1945 and Dangerous Money in 1946. He also played the character of “Hipp” in three of RKO’s six Scattergood Baines films with Guy Kibbee: Scattergood Baines (1941), Scattergood Survives a Murder (1942), and Cinderella Swings It in 1943. (Actor Paul White, who played a young version of Best’s “Hipp” in the first film, went on to play “Hipp” in the next three films. Best returned to the role in the last two.) After a drug arrest ended his film career, he worked in television for a while and became known to early TV audiences as “Charlie the Elevator Operator” on CBS's My Little Margie, from 1953 to 1955. He also played Willie, the house servant, handyman and close friend of the title character of ABC’s The Trouble with Father, for its entire run from 1950 to 1955.
The roles that explain the career.
80 credits across 1 departments.
| Year | Title | Role | Type |
|---|---|---|---|
| 2001 | Beyond Tara: The Extraordinary Life of Hattie McDaniel | Self (archive footage) | Film |
| 1975 | Brother, Can You Spare a Dime? | Self (archive footage) | Film |
| 1954 | Waterfront | Billy Slocum | TV |
| 1950 | The Stu Erwin Show | Willie | TV |
| 1948 | Half Past Midnight | Andy Jones | Film |
| 1948 | The Shanghai Chest | Willie Best | Film |
| 1947 | The Red Stallion | Jackson | Film |
| 1947 | Suddenly It's Spring | Porter on Train | Film |
| 1946 | Dangerous Money | Chattanooga Brown | Film |
| 1946 | The Face of Marble | Shadrach | Film |
| 1946 | The Bride Wore Boots | Joe | Film |
| 1945 | The Red Dragon | Chattanooga Brown | Film |
| 1945 | Pillow to Post | Lucille, Colonial Auto Court Porter | Film |
| 1945 | She Wouldn't Say Yes | Porter (uncredited) | Film |
| 1944 | Home in Indiana | Mo' Rum (uncredited) | Film |
| 1944 | The Mark of the Whistler | Men's Room Attendant (uncredited) | Film |
| 1944 | The Adventures of Mark Twain | Butler | Film |
| 1944 | The Girl Who Dared | Woodrow | Film |
| 1944 | Music for Millions | Red Cap (uncredited) | Film |
| 1943 | The Kansan | Bones | Film |
| 1943 | The Powers Girl | Men's Room Attendant (uncredited) | Film |
| 1943 | Cabin in the Sky | Second Idea Man | Film |
| 1943 | Dixie | Steward (uncredited) | Film |
| 1942 | Scattergood Survives a Murder | Hipp | Film |
| 1942 | The Hidden Hand | Eustis, the chauffeur | Film |
| 1942 | Whispering Ghosts | Euclid White Brown | Film |
| 1942 | Juke Girl | Jo-Mo | Film |
| 1942 | Maisie Gets Her Man | Sam (Uncredited) | Film |
| 1942 | Busses Roar | Sunshine | Film |
| 1942 | A-Haunting We Will Go | Waiter | Film |
| 1941 | Road Show | Willie | Film |
| 1941 | The Smiling Ghost | Clarence | Film |
| 1941 | Highway West | Bub Wellington | Film |
| 1941 | High Sierra | Algernon | Film |
| 1941 | Nothing but the Truth | Samuel | Film |
| 1941 | The Body Disappears | Willie | Film |
| 1941 | Kisses for Breakfast | Arnold | Film |
| 1941 | Flight from Destiny | George | Film |
| 1941 | The Lady from Cheyenne | George | Film |
| 1940 | I Take This Woman | Sambo | Film |
| 1940 | Blondie on a Budget | Newsboy (uncredited) | Film |
| 1940 | The Ghost Breakers | Alex | Film |
| 1940 | Money and the Woman | George Washington Jones | Film |
| 1939 | Way Down South | Chimney Sweep | Film |
| 1939 | Blondie Brings Up Baby | Hotel Janitor (uncredited) | Film |
| 1939 | Mr. Moto in Danger Island | Launch Pilot | Film |
| 1939 | Mr. Moto Takes a Vacation | Driver (uncredited) | Film |
| 1939 | Blackmail | Bunny - the Janitor (uncredited) | Film |
| 1939 | Slightly Honorable | Art, Elevator Operator | Film |
| 1939 | Private Detective | Norton's Valet | Film |
| 1939 | At the Circus | Redcap (uncredited) | Film |
| 1939 | The Saint Strikes Back | Algernon, Simon's Butler (Uncredited) | Film |
| 1939 | Nancy Drew... Trouble Shooter | Apollo Johnson | Film |
| 1938 | Vivacious Lady | Porter | Film |
| 1938 | Goodbye Broadway | Jughead | Film |
| 1938 | Blondie | Porter | Film |
| 1938 | Youth Takes a Fling | George | Film |
| 1938 | Crashing Hollywood | Train Porter (uncredited) | Film |
| 1938 | Merrily We Live | George | Film |
| 1937 | Meet the Missus | Bootblack | Film |
| 1937 | Super-Sleuth | Warts, Martin's manservant | Film |
| 1936 | Muss 'em Up | Janitor at Spivali's Bar (uncredited) | Film |
| 1936 | Thank You, Jeeves! | Drowsy | Film |
| 1936 | Murder on a Bridle Path | 'High-Pockets' | Film |
| 1936 | Mummy's Boys | Catfish | Film |
| 1936 | Silly Billies | Excitement | Film |
| 1936 | General Spanky | Henry | Film |
| 1936 | The Green Pastures | Henry - the Angel (uncredited) | Film |
| 1936 | The Bride Walks Out | Smokie | Film |
| 1936 | Down the Stretch | Noah | Film |
| 1936 | Night Waitress | Black Pedestrian | Film |
| 1935 | The Arizonian | Pompey | Film |
| 1935 | Murder on a Honeymoon | Willie (as Sleep 'n' Eat) | Film |
| 1935 | The Nitwits | Sleepy | Film |
| 1935 | Jalna | Sam | Film |
| 1935 | The Littlest Rebel | James Henry | Film |
| 1934 | Little Miss Marker | Dizzy Memphis (uncredited) | Film |
| 1934 | Kentucky Kernels | Buckshot (as Sleep 'n' Eat) | Film |
| 1932 | The Monster Walks | Exodus (as Sleep n' Eat) | Film |
| 1930 | Feet First | Janitor | Film |
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