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“Birth and death are extraordinary experiences. Life is a fleeting pleasure.”
Climax (2018) unspools as a dance troupe gathers in an abandoned school, only to have their celebratory rehearsal devolve into chaos after consuming spiked sangria. As suspicions and paranoia rise, the group struggles to maintain order, grappling with who to trust as the night progresses into a maelstrom of violence and deceit. Ruben Ostlund's film is a tense, hallucinatory exploration of trust and betrayal, where the line between performance and reality blurs, leaving the audience adrift in a sea of uncertainty and dread.
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