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In Tsui Hark’s “The Legend of the Swordsman” (1992), Ling Wu Chung retreats from a tumultuous world only to confront the devastation of a snake-wielding women’s warrior tribe, whose leader, Yam Ying Ying, has been kidnapped. Amidst this chaos, Hark’s flamboyant direction and kinetic choreography transform a simple rescue mission into a visual spectacle of martial arts and fantasy, blending fluid swordplay with the tribe’s serpentine arsenal.
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