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Walter Hill, born in 1942, crafts a cinematic terrain dominated by rugged masculinity and moral ambiguity, often within the guise of the Western or its contemporary counterparts. His films, whether set in the dusty plains or the neon-lit streets, explore the limits of social control and moral clarity. Hill's assertion that every film is a Western, even when it isn't, underscores his fascination with the genre's stripped-down essence and its ability to transcend time and place, delivering narratives untethered from conventional societal constraints.
The roles that explain the career.
53 credits across 4 departments.
| Year | Title | Role | Type |
|---|---|---|---|
| 2024 | Alien: Romulus | Producer | Film |
| 2022 | Dead for a Dollar | Director | Film |
| 2017 | Alien: Paradise | Producer | Film |
| 2017 | Alien: Covenant | Producer | Film |
| 2012 | Bullet to the Head | Director | Film |
| 2012 | Prometheus | Producer | Film |
| 2010 | Madso's War | Director | Film |
| 2007 | Becoming John Ford | John Ford (voice) | Film |
| 2007 | Aliens vs Predator: Requiem | Producer | Film |
| 2004 | East Meets West: "Red Heat" and the Kings of Carolco | Self (archive) | Film |
| 2004 | AVP: Alien vs. Predator | Producer | Film |
| 2002 | Undisputed | Director | Film |
| 2002 | Undisputed | Writer | Film |
| 2002 | Ritual | Producer | Film |
| 2002 | Undisputed | Producer | Film |
| 2000 | Supernova | Director | Film |
| 1997 | Howard Hawks: American Artist | Self | Film |
| 1997 | Perversions of Science | Executive Producer | TV |
| 1997 | Alien Resurrection | Producer | Film |
| 1996 | Last Man Standing | Director | Film |
| 1996 | Last Man Standing | Producer | Film |
| 1996 | Bordello of Blood | Executive Producer | Film |
| 1995 | Wild Bill | Director | Film |
| 1995 | Tales from the Crypt: Demon Knight | Executive Producer | Film |
| 1993 | Geronimo: An American Legend | Director | Film |
| 1993 | Geronimo: An American Legend | Producer | Film |
| 1992 | Trespass | Director | Film |
| 1992 | Two-Fisted Tales | Executive Producer | Film |
| 1992 | Alien³ | Producer | Film |
| 1990 | Another 48 Hrs. | Director | Film |
| 1989 | Johnny Handsome | Director | Film |
| 1989 | Tales from the Crypt | Executive Producer | TV |
| 1988 | Red Heat | Director | Film |
| 1988 | Red Heat | Producer | Film |
| 1987 | Extreme Prejudice | Director | Film |
| 1986 | Crossroads | Director | Film |
| 1986 | Blue City | Writer | Film |
| 1986 | Blue City | Producer | Film |
| 1986 | Aliens | Executive Producer | Film |
| 1985 | Brewster's Millions | Director | Film |
| 1985 | Rustlers' Rhapsody | Producer | Film |
| 1982 | 48 Hrs. | Director | Film |
| 1982 | 48 Hrs. | Writer | Film |
| 1981 | Southern Comfort | Director | Film |
| 1980 | The Long Riders | Director | Film |
| 1979 | The Warriors | Director | Film |
| 1979 | Alien | Producer | Film |
| 1978 | The Driver | Director | Film |
| 1975 | Messiah of Evil | Stabbing Victim in Prologue | Film |
| 1975 | Hard Times | Director | Film |
| 1972 | Hickey & Boggs | Writer | Film |
| 1971 | Directed by John Ford | Self (2006) | Film |
| 1971 | The G.I. Executioner | Gregg Morrison | Film |
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